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An open space where poetry matters. Stanzas is a quarterly for new poetry to suit all moods. It provides a platform for established and emerging poets to share their most recent work and affirm poetry’s important place in our lives. “The sound must seem an echo of the sense.”
Stanzas publishes new and translated poems in English, and reviews of new collections published in South Africa. It provides a platform for both established and emerging poets to share their recent work and so affirm the place in our lives.
“…think of the caterpillar as the poet, and think of the chrysalis as the book, and think of the butterfly as what happens when the reader can act with the poem.” – Margaret Atwood
“For him [Milan Kundera], the novel was the highest form of aesthetic endeavor, a kind of anti-scripture representing the sensibility of the individual, containing “an outlook, a wisdom, a position… that would rule out identification with any politics, any religion, any ideology, any moral doctrine, any group.” – David Samuels
Out of stock
Out of stock190 x 260cm. Edition of 500. Published to coincide with States of Emergence exhibition Johannesburg August 2002.
Out of stockThis title features outstanding letterheads, envelopes, and business cards from around the world – good ideas by the hundreds. Whether you’re starting your own business or simply trying to stay in business, three paper-based items are absolutely crucial to your company: letterhead, envelopes, and business cards. These items, along with your logo, are the pillars of a well-defined corporate identity.
This catalogue accompanies Steven Cohen’s first exhibition at Stevenson Johannesburg – an intense meditation on loss, grief and absence, following the death of his partner and artistic collaborator, the dancer Elu.
Stevie Smith had a unique literary voice: her idiosyncratic, wonderfully funny and poignant poems established her as one of the most individual of English modern poets. She claimed her own life was ‘precious dull’, but Frances Spalding’s acclaimed biography, revised with a new introduction for this centenary edition, reveals a far from conventional woman.
This collection of 40 essays by Ashraf Jamal can be regarded as a companion to his previous book, In the World: Essays on Contemporary South African Art. Together, they form a single venture to celebrate and entrench the rich complexity of South African artists in a global imaginary.
Out of stockClassic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets. Claudia Walde has spent over two years collecting alphabets by 154 artists from 30 countries with a view to showing the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa) and Hera (Germany); others are lesser known or only now starting to emerge. Each artist received the same brief: to design all 26 letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them. The results are a fascinating insight into the creative process.
Combative, volatile, constantly on the verge of exploding, Dwayne and Shanell Combrink are two halves of a white South African working-class couple, when Namhla Gumede, born on 16 June 1976, arrives on their doorstep. A smouldering dark comedy suddenly leads to startling revelations, rage and recrimination
An illustrated biography of the remarkable and pioneering artist Leonora Carrington, told through the houses and locations that had meaning for her and are fundamental to an understanding of her work.
On the centennial anniversary of André Breton’s first Surrealist Manifesto, Surrealism and Us shines new light on how Surrealism was consumed and transformed in the Caribbean and the United States. It brings together more than 50 works from the 1940s to the present that convey how Caribbean and African diasporic artists reclaimed a European avant-garde for their own purposes.
Following the austere and traumatic years of World War II, surrealists Lee Miller and Roland Penrose made their home at Farleys in the Sussex countryside. Penrose, a painter, author, and collector, and Miller, a photographer and war correspondent, moved to Farleys not to settle down, but to create, entertain, and inspire.
An absorbing group biography revealing how exiles from war-torn France brought Surrealism to America, helping to shift the centre of the art world from Paris to New York and spark the movement that became Abstract Expressionism.
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