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Out of stockSouth Africa: the art of a nation explores the history of South Africa through a selection of its artworks, playing particular attention not only to their relationship to one another, but also to their connections to key episodes in the nation’s evolution.
A report on the primary art market in South Africa that examines the structure and regional differences between Cape Town and Johannesburg, South Africa’s art capitals.
So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.
A practical guide to making stained glass panels. Seven projects introduce the main techniques, including planning, cutting the glass and leading it all together. More advanced projects show how to use painting, etching and engraving to enhance the work.
An open space where poetry matters. Stanzas is a quarterly for new poetry to suit all moods. It provides a platform for established and emerging poets to share their most recent work and affirm poetry’s important place in our lives. “The sound must seem an echo of the sense.”
Stanzas publishes new and translated poems in English, and reviews of new collections published in South Africa. It provides a platform for both established and emerging poets to share their recent work and so affirm the place in our lives.
“…think of the caterpillar as the poet, and think of the chrysalis as the book, and think of the butterfly as what happens when the reader can act with the poem.” – Margaret Atwood
Stanzas publishes new and translated poems in English, and reviews of new collections published in South Africa. It provides a platform for both established and emerging poets to share their recent work and so affirm the place in our lives.
Stanzas publishes new and translated poems in English, and reviews of new collections published in South Africa. It provides a platform for both established and emerging poets to share their recent work and so affirm the place in our lives.
“For him [Milan Kundera], the novel was the highest form of aesthetic endeavor, a kind of anti-scripture representing the sensibility of the individual, containing “an outlook, a wisdom, a position… that would rule out identification with any politics, any religion, any ideology, any moral doctrine, any group.” – David Samuels
Out of stock
Out of stock190 x 260cm. Edition of 500. Published to coincide with States of Emergence exhibition Johannesburg August 2002.
Out of stockThis title features outstanding letterheads, envelopes, and business cards from around the world – good ideas by the hundreds. Whether you’re starting your own business or simply trying to stay in business, three paper-based items are absolutely crucial to your company: letterhead, envelopes, and business cards. These items, along with your logo, are the pillars of a well-defined corporate identity.
This catalogue accompanies Steven Cohen’s first exhibition at Stevenson Johannesburg – an intense meditation on loss, grief and absence, following the death of his partner and artistic collaborator, the dancer Elu.
Stevie Smith had a unique literary voice: her idiosyncratic, wonderfully funny and poignant poems established her as one of the most individual of English modern poets. She claimed her own life was ‘precious dull’, but Frances Spalding’s acclaimed biography, revised with a new introduction for this centenary edition, reveals a far from conventional woman.
This collection of 40 essays by Ashraf Jamal can be regarded as a companion to his previous book, In the World: Essays on Contemporary South African Art. Together, they form a single venture to celebrate and entrench the rich complexity of South African artists in a global imaginary.
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