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Set in the past, present, and future, this progression of three tales holds a message that is relevant in each era. These thought-provoking stories pose questions focusing on the promotion of greed being endemic within each society and being accepted as the norm.
Out of stockTen Years of Collecting (1979-1989), David Hammond-Tooke and Anitra Nettleton, softcover, published by the University of the Witwatersrand, 1989, tearing, creasing and wear to cover, shelf wear.
Out of stockTerence Donovan was one of the foremost photographers of his generation – among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography. Alongside David Bailey and Brian Duffy, photographers of a similar working-class background and outlook, Donovan was a new force in fashion photography. Together, they captured and helped create the Swinging 60s. They socialized with celebrities and royalty, and found themselves elevated to stardom in their own right. Gifted with an unerring eye for the iconic image, Donovan was also master of his craft, a technical genius who pushed the limits of what was possible with a camera. And yet despite his fame and status, there has never been a publication devoted to his fashion work, for he allowed none to be released during his lifetime. Terence Donovan Fashion is thus the first time his fashion pictures have been collected together in book form. Arranged chronologically, from the gritty monochromatic 1960s and 1970s to the vibrant and colourful 1980s and 1990s, the book reveals how his constant invention and experimentation not only set him apart from his contemporaries, but also influenced generations to come. Contributions from some of the many designers, models and art directors who worked with him provide fascinating insights into his practice. Compiled by the artist’s widow Diana Donovan and former art director of Nova magazine and Pentagram partner David Hillman, who worked closely with Donovan for over a decade, and including an illuminating text by Robin Muir, ex-picture editor of Vogue, and foreword by Grace Coddington, creative director of American Vogue and advisor to the project, Terence Donovan Fashion is indisputably a landmark in the history of fashion photography.
Terence: The Man Who Invented Design is the most definitive, intimate and revelatory biography of this design legend, by two of his closest collaborators, Roger Mavity and Stephen Bayley. Frank, amusing, indiscreet, sharp, rude, respectful and knowing, it tells Terence’s story as it evolved, from before Habitat’s humble chicken brick to Bibendum’s sophisticated poulet de Bresse, via personal successes and corporate calamities, culminating in that peculiar temple to the religion he invented: The Design Museum. It celebrates Terence’s genius and immeasurable impact on British life – and ensures his rightful status as national treasure. Terence: The Man Who Invented Design is the most candid, up-close insight into the man and myth.
Out of stockThe quarterly design bookzine from Singapore. A new aesthetic, a breath of fresh air.
Linda Parry examines the whole range of Arts and Crafts textiles – not only printed but woven fabrics, tapestries and carpets, embroideries and lace – and provides invaluable information on designers, manufacturers and shops. Also included are rare photographs of some of the designers and of original interiors, where the fabrics appear in use.
Jackson the donkey works very hard, carrying loads of mealies, carrots and potatoes up the hill to the market every week, from the little farm where he lives with the farmer, his wife Beauty and his son Goodwill. But one day Jackson just stops halfway up the hill.
Justin Fox is an award-winning writer and photographer based in Cape Town. Author of more than a dozen books, he is currently editor of Getaway Magazine. Justin was a Rhodes Scholar and received a doctorate in English from Oxford University, after which he became a research fellow at the University of Cape Town, where he taught part-time for the better part of two decades. His articles and photographs have appeared internationally in a number of publications, while his short stories and poems have appeared in various anthologies. He is a two-time Mondi journalism award winner. Recent books include The Marginal Safari, Whoever Fears the Sea, The Impossible Five and My Great Expedition.
The African Gaze is a comprehensive exploration of postcolonial and contemporary photography and cinema from Africa. Drawing from archival imagery and documents, interviews with the photographers and filmmakers (in some cases family members/close associates if the artist is deceased), and contributions from writers, scholars and curators, it maps a comprehensive introduction to African moving and still imagery.
Makhosazana Xaba, with several collections and anthologies to her name, is at the forefront of a poetry that embraces penetrating socio-political insight with highly emotional responses to the love and pain that our country provides in such abundance.
The book draws on first-hand accounts by major role players about the contentious relationship between capital and the ANC before, during and after the country’s transition to democracy.
Out of stockInternationally renowned, Peter Rich’s career represents a lifelong attempt to find a contemporary, yet uniquely African mode of design. This book follows the chronology of his work which emerges from a fascination with African tribal settlements, including his documentation, publication, and exhibition of Ndebele art and architecture, and his friendship with sculptor Jackson Hlungwani.
Art historian and curator Elizabeth Jacklin’s The Art of Print: From Hogarth to Hockney is a concise and beautifully illustrated introduction to printmaking that uses highlights from Tate’s extensive print collection.
Out of stockA revealing chronicle and visual history of the artist’s studio, examining the myth and reality of the creative space from early times to the present day.
The artist’s workplace has always been an idealized utopia as well as the domain of dirty, backbreaking work. Written descriptions, paintings, prints, and even photographs of the artist’s atelier distort as much as they document. This illuminating cultural history of the artist’s studio charts the myth and reality of the creative space from Ancient Greece to the present.
The Bastard of Istanbul tells the story of two families–and a secret connection linking them to a violent event in the history of their homeland. Filed with humor and understanding, this exuberant, dramatic novel is about memory and forgetting, about the need to examine the past and the desire to erase it, and about Turkey itself.
Beginning of Everything Colourful is a masterfully written novel that drives its narrative with facts incorporated into fiction, bringing real life characters to live on the same pages with imagined characters. It is filled with amusing ironies about race, cultures, politics, cultures, religion and politics.
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