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Part of a series of monographs on the lives and careers of influential British artists, from the 18th century onwards. In this volume, Daniels addresses the diversity of the painterly talents of Joseph Wright (“of Derby”), and the inextricable links between his art and the Enlightenment.
Out of stock“Anyone who directly and genuinely renders what drives him to create is one of us,” proclaimed the manifesto of Die Brücke (The Bridge), a close-knit group of artists who first met in Dresden in 1905. Its founding members were four Jugendstil architecture students: Fritz Bleyl, Erich Heckel, Karl Schmidt-Rottluff and Ernst Ludwig Kirchner. Eschewing the contemporary academic styles and subjects, these four artists instead looked to their German art heritage to make…
For Marc Chagall (1887-1985), painting was an intricate tapestry of dreams, tales, and traditions. His instantly recognizable visual language carved out a unique early 20th-century niche, often identified as one of the earliest expressions of psychic experience.
Chihuly and Architecture explores entire rooms and galleries, glasshouses and castles, and travels from the canals of Venice to the Citadel in the Old City of Jerusalem, providing rare insight into Chihuly’s inspiration and global footprint.
The works in this exhibition were created over the course of two months spent by the artist in residency in Cape Town; the booklet also includes reproductions of selected works from the past couple of years.
The O.K Center for Contemporary Art presents the first comprehensive exhibition of the penetrating multimedia work of Candice Breitz (SA/USA).
This rewarding catalogue of a MOMA retrospective exhibition covers the full spectrum of Twombly’s art, from spare white-on-gray paintings to fragile clay sculpture to the epic pictures inspired by Homer’s Trojan War.
Breathing new life into the nexus of Tate’s collection, David Hockney: Moving Focus speaks to the artist’s refusal to conform during periods of uncertainty and polarization as he traversed the boundaries of class, sexuality, and high art, and how his work still surprises, unsettles, and addresses younger generations of viewers.
Pop artist, painter of modern life, landscape painter, master of color, explorer of image and perception?for six decades, David Hockney has been known as an artist who always finds new ways of exploring the world and its representational possibilities.
For well over a hundred years certain artists have blurred the distinction between ‘art’ and ‘design’, creating works for which Alex Coles has coined the term ‘DesignArt’.
First published in 1930 in a limited edition of only 500, Disavowals is recognised as Claude Cahun’s key work and a lost masterpiece of Surrealist literature. It is now made available to an English-speaking readership for the first time.
Out of stockThis richly illustrated book introduces Manet’s work and his uniquely influential combination of Realism, Impressionism, and reworked Old Masters that would become paradigms of a brave new world for generations of modernists to come.
This fresh and engaging survey of El Greco’s work explores varied aspects of the artist’s career—his aesthetic education in Italy, the mixed reception of his mature works in Spain, his uncompromising approach to business, and the baroque logistics of his Toledo workshop—and reveals the depth of El Greco’s astounding ambition.
A fascinating insight into the lives and work of a remarkable range of contemporary artists Conducted by Richard Cork, one of the UK’s most distinguished art writers, these intimate and revealing interviews provide a wealth of fascinating insights into the work of leading British artists. They discuss, often very frankly, their lives and art, their working methods and aspirations. The collection features an array of highly engaging and articulate artists, from Frank Auerbach, Anthony Caro, Richard Hamilton, David Hockney and Howard Hodgkin to Cornelia Parker, Tacita Dean, Grayson Perry and Rachel Whiteread.
This is a catalogue of Flemish paintings housed in South African public collections. It offers a unique and interesting account of the many important paintings overlooked in international scholarship through lack of exposure
Prof Bernadette Van Haute is Professor in Art History at the University of South Africa in the Department of Art and Music.
She studied Ethnic Art in Belgium and wrote her Master’s dissertation on selected art of Central Africa. After moving to South Africa in 1983, she redirected her research interest to Flemish Art of the 17th century. Her Doctoral thesis focused on a monograph and catalogue raisonné of the Flemish artist David III Ryckaert (2000, Turnhout: Brepols).
Because of the early Dutch presence in South Africa, she researched 17th century Flemish paintings in public collections in South Africa. This study project culminated in the richly illustrated book of Flemish Paintings (2006, Pretoria: Unisa Press).
Prof Van Haute joined Unisa in 1983 in the then Department of History of Art and Fine Arts. She was Chief Editor of the accredited journal de arte from 1996 to 2017.
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