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Fusing European influences such as Cubism with a socialist ideology and an exaltation of Mexico’s indigenous and popular heritage, he created a new iconography for art history and for his country. He became one of the most important figures in the Mexican mural movement and won international acclaim for his public wall paintings, in which he presented a utopian yet accessible vision of a post-revolutionary Mexico.
Saloua Raouda Choucair’s work has not been exhibited widely outside of Lebanon, and this will be the first time a new audience can see and appreciate a long underexposed and truly progressive artist.
With an introduction by a leading expert on the art of the period, this engaging book provides many new insights into the work of this extraordinary artist and the times in which he lived.
So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.
Following the austere and traumatic years of World War II, surrealists Lee Miller and Roland Penrose made their home at Farleys in the Sussex countryside. Penrose, a painter, author, and collector, and Miller, a photographer and war correspondent, moved to Farleys not to settle down, but to create, entertain, and inspire.
AIfred Wallis spent most of his life in the Cornish ports of Newlyn, Penzance and St Ives, and went to sea as a young man: His main occupation was as a dealer in marine supplies and he was in his seventies before he took up painting `for company’. He sold his works for a few pence, and died in the poorhouse.
This accessible and highly illustrated introduction to his life and work, published to accompany a major Tate exhibition, offers readers a special insight into the popular artist and his practice.
Out of stockThe Chiffon Trenches is a candid look at the who’s who of the last fifty years of fashion, and proof that fact is always fascinatingly more devilish than fiction. Andre Leon Talley’s engaging memoir tells the story of how he not only survived but thrived – despite racism, illicit rumours and all the other challenges of this notoriously cutthroat industry – to become one of the most legendary voices and faces in fashion.
Out of stockThis sweeping overview of Rembrandt’s extraordinary achievement as a draughtsman fills a gap in the otherwise enormous literature on the artist. Beautifully illustrated, mostly in colour, the more than 150 drawings – culled from a corpus of some 800 – are discussed in detail.
Extensively illustrated and featuring Duchamp’s own writings, The Duchamp Book provides a much needed, accessible introduction to the artist.
Featuring a selection of her finest work, including portraits of her friends Picasso, Ernst and Miro, Penrose’s tribute to his mother brings to life a uniquely talented woman and the turbulent times in which she lived.
Shocking, witty and always entertaining, Morris’s tales illuminate the striking variation in approaches to the Surrealist philosophy, both in the artists’ work and in their lives.
Groundbreaking upon its release in 1987, Till Death Us Do Part is a 20-screen video-wall installation made by British/Ethiopian artist Theo Eshetu.
Catalogue from the exhibition “Trans positio ns – Five Swedish Artist in South Africa” which was on display between 28/3-10/5 1998 at The South African National Gallery, Cape Town, in collaboration with Moderna Museet. It included works by: Elisabet Apelmo, Matts Leiderstam, Annika Lundgren, Elin Wikström and Måns Wrange.
Nazraeli Press is a publisher of books of photography. It was founded in 1989, in Munich, Germany, by Chris Pichler and has been based in the USA since 1996. ‘Twenty Parachutes’ is a unique book showcasing the photographs of late Margaret Bourke-White. Writer and curator, Trudy Wilner Stack, wrote the following in the introduction of ‘Twenty Parachutes’: “Few careers with a camera have been as narrated and celebrated as that of Margaret Bourke-White. With legendary fortitude and energy, Bourke-White time and again nailed the assignments she was given with formal brilliance and incisive descriptive power. In this series of images, we feel a relaxing of her precision as she recorded an emblematic struggle between natural force and human ingenuity, between our limitations and the grand devices we create to defy them.”
WACK! documents and illustrates the impact of the feminist revolution on art made between 1965 and 1980, featuring pioneering and influential works by artists who came of age during that period, Chantal Akerman, Lynda Benglis, Theresa Hak Kyung Cha, Valie Export, Mary Heilmann, Sanja Iveković, Ana Mendieta, Annette Messager, and others, as well as important works made in those years by artists whose careers were already well established, including Louise Bourgeois, Judy Chicago, Sheila Levrant de Bretteville, Lucy Lippard, Alice Neel, and Yoko Ono.
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