Sketches of My Life
R85With an introduction by a leading expert on the art of the period, this engaging book provides many new insights into the work of this extraordinary artist and the times in which he lived.
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With an introduction by a leading expert on the art of the period, this engaging book provides many new insights into the work of this extraordinary artist and the times in which he lived.

So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.

In this first monograph dedicated to Mlengeya, the curator Tandazani Dhlakama brilliantly analyzes how African, Black and feminist conditions are intertwined in her work, and the intimate conversation between Sungi and her model, Jemima Michael, takes us behind the scenes of a work in the making.

An illustrated biography of the remarkable and pioneering artist Leonora Carrington, told through the houses and locations that had meaning for her and are fundamental to an understanding of her work.

On the centennial anniversary of André Breton’s first Surrealist Manifesto, Surrealism and Us shines new light on how Surrealism was consumed and transformed in the Caribbean and the United States. It brings together more than 50 works from the 1940s to the present that convey how Caribbean and African diasporic artists reclaimed a European avant-garde for their own purposes.

Following the austere and traumatic years of World War II, surrealists Lee Miller and Roland Penrose made their home at Farleys in the Sussex countryside. Penrose, a painter, author, and collector, and Miller, a photographer and war correspondent, moved to Farleys not to settle down, but to create, entertain, and inspire.

AIfred Wallis spent most of his life in the Cornish ports of Newlyn, Penzance and St Ives, and went to sea as a young man: His main occupation was as a dealer in marine supplies and he was in his seventies before he took up painting `for company’. He sold his works for a few pence, and died in the poorhouse.
Out of stockThis accessible and highly illustrated introduction to his life and work, published to accompany a major Tate exhibition, offers readers a special insight into the popular artist and his practice.

“I think it’s important to talk about the triumph of laying claim to an experience and rechannelling its energy into creative expression that will go back out into the culture where an intergenerational transmission can take place.”
Out of stockThe Chiffon Trenches is a candid look at the who’s who of the last fifty years of fashion, and proof that fact is always fascinatingly more devilish than fiction. Andre Leon Talley’s engaging memoir tells the story of how he not only survived but thrived – despite racism, illicit rumours and all the other challenges of this notoriously cutthroat industry – to become one of the most legendary voices and faces in fashion.
Out of stockThis sweeping overview of Rembrandt’s extraordinary achievement as a draughtsman fills a gap in the otherwise enormous literature on the artist. Beautifully illustrated, mostly in colour, the more than 150 drawings – culled from a corpus of some 800 – are discussed in detail.

Extensively illustrated and featuring Duchamp’s own writings, The Duchamp Book provides a much needed, accessible introduction to the artist.

Featuring a selection of her finest work, including portraits of her friends Picasso, Ernst and Miro, Penrose’s tribute to his mother brings to life a uniquely talented woman and the turbulent times in which she lived.

Shocking, witty and always entertaining, Morris’s tales illuminate the striking variation in approaches to the Surrealist philosophy, both in the artists’ work and in their lives.

This book is the first monograph on Hubert Dalwood (1924-76), one of the most distinctive and sensitive post-war British sculptors, and the first complete catalogue of Dalwood’s sculpture exploring the themes, techniques and critical contexts of his work.

Groundbreaking upon its release in 1987, Till Death Us Do Part is a 20-screen video-wall installation made by British/Ethiopian artist Theo Eshetu.
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