Kent Andreasen: 1991
R300A photography book of works by Kent Andreason, taken between 2012 and 2014. It ran for a limited print of only a 100 copies.
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A photography book of works by Kent Andreason, taken between 2012 and 2014. It ran for a limited print of only a 100 copies.
My essay comprises family portraits, landscapes and still lifes. This was largely determined by the equipment I was using at the time: a tripod-mounted, large-format camera.
The exhibition chronicles the practice of unrestrained hunting which has contributed to the ecological devastation we are currently facing.
The work of David Goldblatt – as recipient of the 2006 Hasselblad Foundation Award undoubtedly South Africa’s most prominent active photographer – reflects a life-long exploration of the relationship between individual South Africans and the society they live in. His first extended photographic essay was compiled in the 1960s. When it was finally published in 1975 as Some Afrikaners Photographed, the book created quite a stir locally. Eventually most of the small print-run had to be sold off for a song.
Bantu Holomisa is one of South Africa’s most respected and popular political figures. Born in the Transkei in 1955, he attended an elite school for the sons of chiefs and headmen. While other men his age were joining Umkhonto weSizwe, Holomisa enrolled in the Transkeian Defence Force and rose rapidly through the ranks. As…
Omitting any reference to the purpose or outcome of each wait, Larkin simply records, beside each image, the duration of the wait. J
Wayne Barker’s artistic career spans almost two decades, marked by a bitter-sweet mix of politics, poetry, and a passion for subversion. Tracking that career from apartheid South Africa’s most violent years to a new democratic dispensation, the artist’s monograph explores the contradictory impulses of “African identity”.
Exhibition catalogue Standard Bank Gallery Johannesburg 25 September 2007 to 1 December 2007. Contains a fascinating 24pp interview with the artist and many colour photographs. 28 x 30cm 120pp.
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment.
The highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, Somnyama Ngonyama, Hail the Dark Lioness
Created to accompany one of the most exciting exhibitions of 2020, this stunning paperback catalogue presents the full breadth of Muholi’s photographic and activist practice.
Richly illustrated, it includes images from the key series Muholi has produced over the past twenty years, as well as never-before-published and recent works. The exhibition book also features six newly commissioned essays exploring their work, as well as a full glossary and chronology.
Johannesburg’s inner city has, since the mining town’s formation, served as the first stop for new arrivals. As such it has always been vibrant and in a constant state of flux. I initially started photographing the area in the nineties when racial segregation laws were being lifted and black South Africans had begun moving from…
Soccer in Africa, A Game of Passion celebrates the beautiful game and its significance for the people of Africa. In striking images drawn from 12 African countries, the book tells of the enormous appeal of soccer, both as sporting spectacle and as a timeless social phenomenon crossing political, religious and social boundaries. From Cape Town…
What will the end of the world look like?
‘Abandoned Futures’ is a breathtaking global overview of the decay and abandonment that sits in the midsts of humanities constant push towards an uncertain future. It’s a visual epic dedicated to the edge of our power, where human industry fails and decay takes over. These are the landscapes that give the lie to our dreams of immortality.
Cape Point, at the southern tip of South Africa, was once believed to be the place where the Indian and Atlantic Oceans meet. It is one of those places that remind us of our transience. End of the World is a visual echo of an exchange: at Cape Point, I sensed, in a moment of…
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