Showing 49–64 of 183 results
This work follows the transformation of Sir Giles Gilbert Scott’s brick power station, on Bankside, into the Tate Modern art gallery, by Swiss Architects Herzog & de Meuron. It presents a photographic account of every stage of the development and includes an interview with Jacques Herzog.
Photographs are used as documents, records and evidence every day in courtrooms and hospitals, on passports and driving licences. But how did photographs come to be established and accepted, what sort of agencies and institutions have the power to enforce this status and, more generally, what concept of photographic representation is entailed and what are its consequences?
AfrikaBurn is the most exciting interactive art spectacle on the continent – a suspension of reality, a blank canvas inviting a radical community to work, play and create at will. A cultural oasis emerges in the middle of a semi-desert landscape, pulsating with art, theme camps, costumes, music and performance. Its temporary citizens set aside their daily habits, cell phones and wallets to celebrate community, art, self-expression and self-reliance.
Candice Breitz: Extra! is the first significant survey exhibition of Breitz’s work on South African soil.
Edward West uses the metaphorical power of shadow to foreground the shifting visibility of South Africa’s black population post apartheid. From 1997-1999, he traveled in South Africa to photograph the country’s townships, squatter camps, and locations during this historic time of transition. In focusing on the private moments of these newly empowered people within their own communities, West has created a complex, visually compelling study of the ways in which identity is inextricably linked to environment. Utilizing the medium of photography in large scale color Giclee prints, West has developed a rich visual language built on the shadow metaphor that at once moves us and grounds us.
Out of stockThis publication features his photographs from the late seventies to the present day, allowing insight into a previously unknown African world. His aesthetically and compositionally unusual photographs combine reality with poetry.
Charles Rennie Mackintosh’s finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than any other work in Britain at that time.
The third volume in the series dedicated to the international collection of the Fondazione Casa di Risparmio de Modena, Breaking News gathers over 120 works, comprising photographs, videos and installations, from Africa and the Middle East.
A classic study of the history of fashion brought right up to date
A self-confessed “plain dresser,†Katharine Adams instead dazzles the world with the fabulous collection that is Couturier Dreams. Gorgeous floating emulsion “garments†dance on every page, with a
Out of stockDancers Among Us presents one thrilling photograph after another of dancers leaping, spinning, lifting, kicking—but in the midst of daily life: on the beach, at a construction site, in a library, a restaurant, a park.
Manenberg – built as a dormitory suburb for the working people of the city – is the product and symbol of dispossession and extrusion from Cape Town’s heart.
The Cradle of Humankind?a paleoanthropological site about 30 miles northwest of Johannesburg, listed by UNESCO as a World Heritage Site in 1999?is the site of the discovery of many of the oldest hominid fossils in the world, some dating back three million years. This site opens windows onto many pasts: onto the origins and evolution of humanity, but also, perhaps less well known and appreciated, it bears witness to many of the key phases of more recent South African history.
“A sentimental, written and photographic journey through time to the essence of surfing, the art of riding waves.”
“Deambulações, a visual document exhaling sublime stories and images accessible uniquely to those searching for places and experiences beyond the obvious.”- Bernardo Mendonça in Expresso
Dear Edward: Family Footprints is a personal journey into the family archives of photographer Paul Weinberg. The book explores his past as he retraces his family footprints in South Africa.
Out of stockFor more than a decade, a Johannesburg garage held a marvellous secret: an archive of over 1,400 photographic negatives produced by Kitty’s Studio in Pietermaritzburg between 1972 and 1984. Poor and working-class patrons ”classified by the apartheid government as African, Indian and coloured” came there to be photographed by Singarum Jeevaruthnam Moodley (1922-1987), a.k.a. Kitty, and members of his family.
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