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Injustice, violence, the Civil Rights Movement, fashion and the arts–Gordon Parks captured half a century of the vast changes to the American cultural landscape in his multifaceted career. I Am You: Selected Works 1934–1978 reveals the breadth of his work as the first African American photographer for Vogue and Life magazines as well as a filmmaker and writer.
Guy Tillim’s Second Nature photographs were taken in French Polynesia from December 2010 to March 2011, and in Sao Paulo from June to September 2011. An exhibition press release states: ‘In many respects, the images of the contested urban terrain of the megalopolis appear to be the antithesis of the French Polynesian landscapes, with…
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Portraits taken in February 2002 in the Angolan town of Kunhinga, Bié Province of displaced people who fled the advance of the Angolan government army.
Out of stockIn this new series of colour photographs Guy Tillim looks intimately at the daily life of the residents of a village in central Malawi. On two occasions he stayed for a week in the village and quietly observed the conversations and routines of the day. His lyrical images of the residents and the textures of the village linger with their stillness and reserve.
Handspring Puppet Company was founded by Basil Jones, Adrian Kohler, Jill Joubert and Jon Weinberg in 1981. They have produced eleven plays and two operas, collaborated with many different artists including Mali’s Sogolon Puppet Troupe and South African artist William Kentridge which opened in over 200 venues in South Africa and abroad.
Much of contemporary photography and video seems haunted by the past, by ghostly apparitions that are reanimated in reproductive media, as well as in live performance and the virtual world.
Effortless service is the ultimate luxury, and at the Hotel du Cap-Eden-Roc, your welcome is as warm and enveloping as a Mediterranean summer’s night. The spectacular setting is only enhanced by the courteous and ubiquitous hotel staff, there to anticipate your every need. Meet the valets, porters, decorators, florists, chefs, tennis pros, and the other artisans of hospitality who keep the hotel running as smoothly as a fine Swiss watch.
Art’s impact can be both straightforward and unpredictable. It can hit us immediately or linger in the wings for a while, coming over us when we least expect it. Art can change minds or attitudes, provoke anger or shock, inspire laughter or tears.
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I love you I hate you is a book about Johannesburg told in two parts.
The first is told through design. The second part is told through the essays of 34 writers describing a complicated relationship with Johannesburg.
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Out of stockImages of Table Mountain is a visual description of the inequalities that exists between the different races that reside in Cape Town with Table Mountain as the on characteristic that they all have in common. Images of Table Mountain depicts the vast differences between Capetonians as well as their interrelations.
During the 1870s and 1880s, a loose group of French artists, including Pissarro, Monet, and Renoir, adopted a style of painting and subject matter that challenged the art prompted by the Academie Francaise and the Salons where “official” assumptions about the meaning of painting prevailed.
Of all the myriad stars and celebrities Hollywood has produced, only a handful have achieved the fame – and, some would say, infamy – of Orson Welles, the creator and star of what is arguably the greatest film ever, Citizen Kane. Many books have been written about him, detailing his achievements as an artist as well as his foibles as a human being. None of them, however, has come so close to the real man as Chris Welles Feder does in this beautifully realised portrait of her father.
Three years after the conclusion of his trilogy, On This Earth, A Shadow Falls Across the Ravaged Land, Nick Brandt returns to East Africa to photograph the escalating changes to the continent’s natural world. In a series of epic panoramas, Brandt records the impact of man in places where animals used to roam, but no longer do. In each location, Brandt erects a life size panel of one of his animal portrait photographs, setting the panels within a world of explosive urban development, factories, wasteland and quarries.
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