Ashes
R180A play about a young gay man, inspired by three brutal attacks on gay men in the Western and Northern Cape in 2014.
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A play about a young gay man, inspired by three brutal attacks on gay men in the Western and Northern Cape in 2014.
When the sale of the building seems imminent, not only must the artists face the daunting prospect of relocation, but a remarkable chapter in the complex narrative of contemporary South African art seems about to close. Sensing the importance of this moment, Kim Gurney, herself a former tenant of the atelier, follows the stories of several of the August House denizens through some of the artworks that came to life in their studios.
A catalogue of Azaria Mbatha’s retrospective exhibition at the Durban Art Gallery in 1998.sart catalo
Van Graan’s potent mix of comedy, poetry and drama compels audiences to reflect on controversial topics in a non-alienating, thought-provoking and thoroughly entertaining way. Readers will laugh and cringe and sometimes cry, but one thing they will not be able to do is remain unaffected
Through the relationship between dreams and ancestry, Mmakgabo Mapula Helen Sebidi references the politicisation of landscape, and its relationship to growth and issues of creation. Batlhaping Ba Re! features works from Sebidi’s career spanning five decades, and looks at her continued dedication to issues of mythologies and ancestry and traditional African value systems.
When Chris Hani was assassinated in his driveway in April 1993, he left a shocked and grieving South Africa, teetering on the precipice of civil war. But to 12-year-old Lindiwe Hani, it was the love of her life, her daddy, who had been brutally ripped from her world. While the nation continued to revere her father’s legacy, for Lindiwe, being Chris Hani’s daughter became an increasingly heavy burden to bear, propelling her into a downward spiral of cocaine and alcohol addiction in a desperate attempt to avoid the pain of his brutal parting.
Bella is an illustrated collection of striking yet subtle poems. Motadinyane died in 2003, and was one of the founder members of the Botsotso Jesters poetry performance group; her surreal and multi-lingual work offers a sharp female perspective on South Africa.
BibliOdyssey’s mission has been to search the dustier corners of the
internet and retrieve these materials for our enjoyment. Thanks to the
efforts of this singular weblog, a myriad of long-forgotten imagery has
now resurfaced.
Describing the dichotomy of being both revered and reviled, this memoir traces the story of a sangoma—a traditional healer—who is also a lesbian. Descriptions of traditional African healing practices and rituals are provided alongside the personalized account of one woman acting as a mirror to the daily hardships and indignities felt by members of the gay…
Catalogue of the first ever Biennale, Africus ’95 in Johannesburg bringing together eighteen South African and four Spanish artists reflecting the extreme diversity of these artists’ professional backgrounds and creative techniques
The exhibition Booknesses: Artists’ Books from the Jack Ginsberg Collection formed part of the larger Booknesses enterprise. The exhibition, consisting of 229 international and 29 local artists’ books and an extensive catalogue, was one of the largest and most ambitious exhibitions of its kind globally. Curated by David Paton, with the assistance of Rosalind Cleaver and Jack Ginsberg, the…
The latest African art catalogue from Michael Stevenson and Michael Graham-Stewart contains a pioneering essay on the acquisition of objects by European soldiers, missionaries and travelers, and the dramatic shift in the social significance of the object that occurs along with the shift in ownership. Pieces include a previously unpublished North Nguni cow-horn engraved with scenes of the Anglo-Zulu War, and an unusual Tsonga headrest with an attached staff.
In this beautiful book on the work of Breyten Breytenbach, Saayman argues that writing and painting form two manifestations of one and the same creative force in Breytenbach’s ouevre.
While a South African audience might be more familiar with Breytenbach as a writer, he initially studied at the Michaelis School of Art. Breytenbach held his first solo exhibition of paintings in 1964, the same year he published his first volume of poems (Die Ysterkoei Moet Sweet) and his first book of prose (Katastrofes). It took place at Galerie Espace in Amsterdam, where Breytenbach shared the roster with Karel Appel and Francesco Clemente, among others.
BRUCE MURRAY ARNOTT: INTO THE MEGATEXT provides the first comprehensive overview of one of South Africa’s most significant sculptors. His influence as an artist, scholar, designer, curator, and educator runs deep; intuited through the work of many of South Africa’s leading contemporary scholars and practitioners in the visual arts.
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