Anthea Moys: At my own risk
R115This exhibition catalogue was published in conjunction with the exhibition ‘At my own risk’ at the Everard Read Gallery, Johannesburg
Showing 17–32 of 547 results
This exhibition catalogue was published in conjunction with the exhibition ‘At my own risk’ at the Everard Read Gallery, Johannesburg
A play about a young gay man, inspired by three brutal attacks on gay men in the Western and Northern Cape in 2014.
A catalogue of Azaria Mbatha’s retrospective exhibition at the Durban Art Gallery in 1998.sart catalo
Van Graan’s potent mix of comedy, poetry and drama compels audiences to reflect on controversial topics in a non-alienating, thought-provoking and thoroughly entertaining way. Readers will laugh and cringe and sometimes cry, but one thing they will not be able to do is remain unaffected
South African beadwork has a rich and diverse history and is abundantly represented in the beaded art pieces in the Wits Art Museum (WAM) collection. Some works date back to the 4th century CE but most date from the 19th to the 21st centuries. Currently numbering over 9 000 items, the three major collecting areas of classical, historical and contemporary African artworks are broad in their geographical range and deep in some local areas of specialisation.
Paying homage to this collection, Beadwork, Art and the Body is a compilation of essays by scholars who have researched and written about the traditions, practices and aesthetic forms of beadwork in southern Africa. The book covers an expansive history of beadwork in South Africa from the 19th century to the contemporary moment. The artists and the beadwork featured range from Sotho-, Tsonga-, Xhosa- and Zulu-speakers, ending with a focus on fashion designer Laduma Ngxokolo, whose work has been inspired by Xhosa beadwork. Questions of ethnic affiliation and beadwork patterns are explored in relation to the different aesthetic forms of beadwork and its use as a marker of identity and status within and beyond communities.
When Chris Hani was assassinated in his driveway in April 1993, he left a shocked and grieving South Africa, teetering on the precipice of civil war. But to 12-year-old Lindiwe Hani, it was the love of her life, her daddy, who had been brutally ripped from her world. While the nation continued to revere her father’s legacy, for Lindiwe, being Chris Hani’s daughter became an increasingly heavy burden to bear, propelling her into a downward spiral of cocaine and alcohol addiction in a desperate attempt to avoid the pain of his brutal parting.
Bella is an illustrated collection of striking yet subtle poems. Motadinyane died in 2003, and was one of the founder members of the Botsotso Jesters poetry performance group; her surreal and multi-lingual work offers a sharp female perspective on South Africa.
BibliOdyssey’s mission has been to search the dustier corners of the
internet and retrieve these materials for our enjoyment. Thanks to the
efforts of this singular weblog, a myriad of long-forgotten imagery has
now resurfaced.
Describing the dichotomy of being both revered and reviled, this memoir traces the story of a sangoma—a traditional healer—who is also a lesbian. Descriptions of traditional African healing practices and rituals are provided alongside the personalized account of one woman acting as a mirror to the daily hardships and indignities felt by members of the gay…
Catalogue of the first ever Biennale, Africus ’95 in Johannesburg bringing together eighteen South African and four Spanish artists reflecting the extreme diversity of these artists’ professional backgrounds and creative techniques
The exhibition Booknesses: Artists’ Books from the Jack Ginsberg Collection formed part of the larger Booknesses enterprise. The exhibition, consisting of 229 international and 29 local artists’ books and an extensive catalogue, was one of the largest and most ambitious exhibitions of its kind globally. Curated by David Paton, with the assistance of Rosalind Cleaver and Jack Ginsberg, the…
The latest African art catalogue from Michael Stevenson and Michael Graham-Stewart contains a pioneering essay on the acquisition of objects by European soldiers, missionaries and travelers, and the dramatic shift in the social significance of the object that occurs along with the shift in ownership. Pieces include a previously unpublished North Nguni cow-horn engraved with scenes of the Anglo-Zulu War, and an unusual Tsonga headrest with an attached staff.
Brett Murrays’s show, Again/ Again, opened at the Goodman Gallery, Cape Town, in 2015 and then at the Everard Read Gallery, Johannesburg, in 2017.
In this beautiful book on the work of Breyten Breytenbach, Saayman argues that writing and painting form two manifestations of one and the same creative force in Breytenbach’s ouevre.
No products in the basket.