Unrest – Hasan Essop and Husain Essop
R120Published in 2014 by the Goodman Gallery on the occasion of the exhibition Unrest by Hasan and Husain Essop and the Standard Bank Young Artist Award for Visual Art 2014
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Published in 2014 by the Goodman Gallery on the occasion of the exhibition Unrest by Hasan and Husain Essop and the Standard Bank Young Artist Award for Visual Art 2014
In Unsettled, South African photographer Cedric Nunn (best known for his photographs of apartheid resistance) turns his lens to the landscape of the Eastern Cape, site of the longest and most complex anti-colonial confrontation in South Africa’s history: The 100 Year War of Resistance.
His assimilation of the international and sculptural revolution of the 20th Century is reflected in the power synergy that exists between his work and the varied settings in which many of his sculptures are displayed.
This comprehensive Teacher’s Guide has been approved by the DBE.
exhibition catalogue of Vusi Khumalo’s solo show at Portland Gallery, London, in 2007
The collection includes works by the young student leaders turned academic and public commentators such as David Maimela, Thapelo Tselapedi and Sisonke Msimang; student newspaper journalists that were covering the protests like Natasha Ndlebe; public writing commentators with aims to inform and teach the broader South African society about the aspects of the movement like Yamkela Spengane and Rofhiwa Maneta; lecturers who were assisting the students articulate and find clarity in the way they shaped and voiced their ideas such as Sabelo Ndlovu-Gatsheni and then of course others were foot soldiers on the ground leading students through the police brutality of rubber bullets and pepper spray like Mcebo Dlamini, Loverlyn Nwandeyi, Ntokozo Qwabe and Ramabina Mahapa.
In What Will People Say?, a rich variety of township characters—the preachers, the teachers, the gangsters and the defeated—come to life in vivid language as they eke out their lives in the shadows of gray concrete blocks of flats.
Beiles is probably most famous for helping Burroughs get Naked Lunchpublished at Olympia through Girodias, at a time when Burroughs was really strung out on paregoric and/or heroin. His most famous work in print is probably as one of the four contributors (Beiles, Burroughs, Corso & Gysin) of the now legendary cut-up compilation, Minutes to Go, published in 1960.
South African scriptwriter Paul Waterson is in Kenya to carry out research for a documentary film. It’s October 2001, and his relationship has come to an unexpected end.
Sunday Times adventure travel writer, Claire Keeton, and photographer Marianne Schwankhart – have worked together to make sure you never have to spend another weekend at home wishing you were doing something more exciting
William Kentridge: Anything Is Possible gives viewers an intimate look into the mind and creative process of William Kentdridge, the South African artist whose acclaimed charcoal drawings, animations, video installations, shadow plays, mechanical puppets, tapestries, sculptures, live performance pieces, and operas have made him one of the most dynamic and exciting contemporary artists working today.
Quarterly Journal Volume 36 Number 2 – Summer 1998.In its various incarnations, Art & Australia has enjoyed a long and rich history as Australia’s premier art journal. The magazine continues to evolve, focusing now on the latest developments in Australian and international contemporary art, and on encouraging emerging artists. The quarterly publication approaches art in innovative…
William Kentridge: Thick Time undertakes an overview of the artist’s recent works, focusing on a sequence of five key pieces dating from 2003 to 2015. These encompass three immersive audiovisual installations, including The Refusal of Time, selected works on paper, and ideas for theatre and opera design.
This visually compelling publication highlights The Museum of Modern Art’s unparalleled collection of prints and books by William Kentridge – nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge’s practice brings together drawing, film animation, books, sculpture and performance.
Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which William Kentridge has embellished with black ink drawings of what might seem at first to be animal silhouettes.
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