William Kentridge: Lexicon
R2500Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which William Kentridge has embellished with black ink drawings of what might seem at first to be animal silhouettes.
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Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which William Kentridge has embellished with black ink drawings of what might seem at first to be animal silhouettes.

David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.

This is the first book to document the work of this extraordinary artist, who exploded on the international art scene in 1997 after working for some 20 years little known outside of his native South Africa. The images in Kentridge’s films depict political realities, expressed in terms of individual human suffering.
Out of stockWilliam Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.

Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.

Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.

William Kentridge’s WEIGHING and WANTING focuses in detail on the artist’s 1998 film of the same name and the drawings he used to make the film. Over 80 film stills punctuate the catalogue, enabling the reader to follow the film sequence. An insightful essay on the drawings and film, and biographic information about the artist…

Wim Botha won the Standard Bank Young Artist award for Visual Art 2005. This wonderfully produced catalogue documents the eight years of work leading up to that achievement.
Out of stockWired presents a distinctive art form created within the rich cultural context of contemporary Zulu/South African culture. The book showcases hundreds of extraordinary, colourful telephone wire baskets – a craft based on Zulu traditions, using recycled materials.

Ben Turok, a former antiapartheid activist and veteran ANC MP, played a key role in the writing of the Freedom Charter, in particular its chapter dealing with economic equality. In November 2011, he broke party ranks and did not vote for the controversial Protection of Information Bill, also known as the Secrecy Bill.

Azaria Mbatha is one of South Africa’s most important contemporary artists in the last century. This autobiography is rooted in the traditional Zulu heritage of his childhood and the tenets of Christianity imparted by his father. Mbatha weaves his own history into the history of his family, into the history of South Africa and into the history of his time, as he experienced it.

This remarkable exhibition assembled a diverse group of Cuban contemporary artists devoted to two fascinating themes: on the one hand, an insight into contemporary Afro-Cuban cultural and religious traditions and, on the other, an intense dialogue on the complex racial issues affecting the country today

WTF is renowned cartoonist Zapiro’s account of the Zuma years in 400 brilliant cartoons and the stories behind them.
Out of stockYouth2Youth: 30 Years after Soweto ’76 was conceived by Pallo Jordan, the Minister of Arts and Culture, in celebration of the thirtieth anniversary of the Soweto student uprising. Young photographers from four provinces were asked to photograph their peers, and the results are extraordinary:

Zapiro needs no introduction. His eighteenth annual speaks for itself

“One of the most brilliant political cartoonists in the world” – John Pilger
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