Showing 81–96 of 138 results
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R500The new Constitutional Court of South Africa was inaugurated in 2004, ten years after the demise of apartheid and South Africa’s first democratic elections that brought the African National Congress and Nelson Mandela to power. The historic new building was the work of a team of young South African architects who had won the international competition for the design and building of the Court. Shortly after the opening of the Court, David Krut Publishing was approached to manage a competition for the design of a book on the architecture of this important building. The book design competition was won by Adele Prins of Flow Design and work on the book began in 2005.
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R180Mapping Memory: Former Prisoners Tell their Stories is a project of Constitution Hill – the heritage precinct built around the Number Four prison complex that is now the home of the Constitutional Court. The project brought back former prisoners who were held in the Women’s Jail and Number Four and created the opportunity for them to give material form to their memories made fragile by the passage of time.
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R250In Mapula: Embroidery and Empowerment in the Winterveld, Brenda Schmahmann discusses the complex circumstances that resulted in the founding of Mapula in 1991, when the Winterveld was part of the former ‘homeland’ of Bophuthatswana. The Mapula Embroidery Project in the Winterveld is one of the most important community art projects in South Africa.
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R160A source of quickly accessible information providing broad coverage of electrical engineering and electronics, including electromagnetic fields, networks, signals and systems, digital and analog electronics, and power supplies
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R300Accompanying catalogue for Matthew Hindley’s 2018 exhibition, The Divided Self.
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R550Born in Cotonou, Benin in 1961, Meschac Gaba moved to the Netherlands in 1996 to take up a residency at the Rijksakademie. It was there that he conceived Museum of Contemporary African Art 1997 – 2002, an ambitious work, that took him five years to complete and that cemented his reputation as one of the most important artists working today.
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R200This catalogue features an essay by Johannesburg Art Gallery curator Khwezi Gule, and an interview with Gaba by Joost Bosland highlighting the importance of humour and play in Gaba’s work.
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R30Hot off the press new release zine, created for the exhibition Movement and its limitation within an environment by artist Quinten Edward Williams. To view the exhibition, click here.
Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs through an interface between painting, sculpting and printing.
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R250Musical arts in Africa: theory, practice and education with its accompanying double compact disc and video will serve as a valuable resource for the students and educators. It will inspire fresh discussion on the role of the musical arts in Africa and affirm- in the manner of the slit drum on the cover, one of Africa’s oldest instruments of communication- the imperative of emphasing African perspectives in transmitting knowledge in modern Africa.
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R350Nicholas Hlobo’s first monograph, published on the occasion of the Standard Bank Young Artist Award, traces his work from 2005 to 2009, including the making of his SBYA exhibition.
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R270Season South Africa is a major program of contemporary visual and performing arts that runs from September 2004 through January 2005. Launched by the Museum for African Art and The Cathedral of St. John the Divine during the year that South Africa is commemorating its first decade of democracy, Season South Africa showcases some of that country’s most gifted and acclaimed contemporary visual and performing artists chosen by an international team of curators.
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R200This 128-page supplement to the Personal Affects catalogue features photographs and an essay documenting the exhibition and performances at the Cathedral of St. John the Divine and the Museum for African Art, New York.
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R380Peter Clarke is best known for work which reflects the harsh social realities of the disempowered in the Cape. Over the past few years he has been working on a series of collages, entitled Fanfare, which are each accompanied by prose.
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R350This catalogue accompanied the exhibition that ran at Wits Art Museum, Johannesburg, in 2015, entitled Peter Schütz: An Eye On The World, celebrating the late artist’s legacy.
