Showing 17–32 of 108 results
This catalogue, was published to accompany Barthélémy Toguo’s first solo exhibition with Stevenson gallery. The exhibition, which took place in May 2014, used the title of an immersive installation in which small drawings are displayed atop 35 music stands.
Ben Nicholson (1894-1982) is widely considered to be one of the most important artists to have emerged from Britain in the last hundred years. In the early 1920s he first saw Cubist paintings and began producing Cubist-influenced works: other informative influences included the Cornish naive painter Alfred Wallis; the sculptor Barbara Hepworth who became his…
Beautifully produced, and coinciding with a major new exhibition at Tate Modern, this publication is an essential reference to one of the most compelling and unique voices in twentieth-century art, as well as a significant contribution to the field of international modernism.
From pictures of London streets during the blackout and people sleeping in the Underground during the Blitz, from images of high society in pre-war Britain to moody, pared-down landscapes and elegant abstracted nudes, Bill Brandt’s photographs are imbued with strangeness and mystery, with a Surrealist touch, with rich connotations. This rich presentation is the perfect overview of his most memorable images.
Botero – Works 1994-2007 Botero is one of the most popular artists alive today and is exhibited in countless institutions throughout the world. He gained international fame painting corpulent and comical figures who embody the sometimes whimsical tragedy of life. The dilation of his subjects gives them abstract, unreal, and grotesque dimensions that are studies…
“I think an artist must be a master of his craft, he must know it so well, he must not have to worry about the craft side of his work, and is free t express his sensations, ideas or emotions.” – Caroline van der Merwe
This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.
Three distinct perspectives on Boltanski and his work: an analytical essay, a personal interview, and a complete retrospective of his work to date. Christian Boltanski–internationally acclaimed photographer, sculptor, painter, and installation artist–tackles the problems of death, memory, and loss in his art that draws heavily from his own life. Boltanski’s art can be either dark and disturbing or playful, and sometimes both at once.
Throughout her career, Cindy Sherman (born 1954) has been interested in exposing the darker sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography and society portraiture.
Born in Bristol in the UK in 1965, Damien Hirst is one of the most controversial and highly regarded artists of his generation. His wideranging practice, which includes installation, painting, sculpture and drawing, challenges the boundaries between art, science and popular culture. Published to accompany Hirst’s first retrospective exhibition in the UK, staged at Tate Modern during the Olympics in 2012, this book will trace Hirst’s career from his emergence on the art scene in the late 1980s to his present status as one of the best- known artists working today.
With an introduction by curator Ann Gallagher, a new interview by Nicholas Serota, Director of Tate, and essays by curator Andrew Wilson, author and critic Brian Dillon and art historian and critic Thomas Crow, as well as shorter texts on key moments in Hirst’s career by Michael Craig-Martin and Michael Bracewell, this superbly illustrated survey is a fitting tribute to his ground-breaking achievements. Surveying 25 years of the artist’s practice, from young Turk of the British art scene to internationally respected figure, this book makes a major contribution to our understanding and appreciation of one the most significant artists of our time.
Series and Progressions examines Dan Flavin’s (1933-96) use of progressions and serial structures, ideas that were central throughout his career. Famed for creating sculptural objects and installations from fluorescent light fixtures, Flavin was one of the first artists to employ a systematic arrangement of color and light, and had a major influence on Conceptual artistic practices.
One of the best-known American sculptors of the modern period, David Smith (1906–1965) was a pioneer of abstract sculpture. He revolutionized the possibilities of metal sculpture by introducing the industrial process of welding, enabling him to create the most extraordinarily balanced compositions – using metal to ‘draw in space’. Predominantly known as a sculptor, the book also sheds light on his prolific practice of drawing, sketching, writing and photographing his sculptures.
Out of stockFor more than a decade, a Johannesburg garage held a marvellous secret: an archive of over 1,400 photographic negatives produced by Kitty’s Studio in Pietermaritzburg between 1972 and 1984. Poor and working-class patrons ”classified by the apartheid government as African, Indian and coloured” came there to be photographed by Singarum Jeevaruthnam Moodley (1922-1987), a.k.a. Kitty, and members of his family.
Contains interviews with and photographs of the 25 people who knew or worked with Roth during his time spent in Chicago, Providence, New York, Philadelphia and Los Angeles. Many of the works Roth created during that period are illustrated here in full colour.
A major retrospective of the seven-decade career of Dorothea Tanning, the multifaceted artist who pushed the boundaries of surrealist art
American artist Dorothea Tanning (1910–2012) redrew the boundaries of surrealism. She first encountered the movement in New York in the 1930s, and in the 1940s, she married fellow painter Max Ernst and moved to the Arizona desert.
An important new study of drawings by one of the most important French artists of the twentieth century
Jean Dubuffet (1901–1985) achieved international recognition in the late 1940s for his paintings inspired by children’s drawings, the art of psychiatric patients, and graffiti.
No products in the basket.