Showing 33–46 of 46 results
This 128-page supplement to the Personal Affects catalogue features photographs and an essay documenting the exhibition and performances at the Cathedral of St. John the Divine and the Museum for African Art, New York.
A catalogue from exhibition of a series of paintings titled ” Aftermath” at Peter Miller Gallery, NYC, by artist Peter Sacks from 12 September – 1 November 2014 Peter Sacks, a South African expatriate, has a biography that is as rich and varied as the art he practises. Having left his native country at a young age and gone on to become a recognised poet with tenure at Harvard, five books of poetry and a study of the English elegy to his name, Sacks stopped writing in the early 2000s and turned to painting instead.
This catalogue accompanied the exhibition that ran at Wits Art Museum, Johannesburg, in 2015, entitled Peter Schütz: An Eye On The World, celebrating the late artist’s legacy.
Since Tate Modern opened in London in 2000, the Turbine Hall has hosted some of the world’s most memorable and acclaimed works of contemporary art, reaching an audience of millions. The way artists have interpreted this vast industrial space has revolutionized public perceptions of contemporary art in the 21st century. Philippe Parreno (b. 1964) is…
Design and layout of a major book accompanying the inaugural exhibition at Norval Foundation, Re/discovery and Memory: The works of Sydney Kumalo, Ezrom Legae, Serge Alain Nitegeka and Edoardo Villa, curated by Karel Nel, 28 April – 10 September 2018.
Retrospectives of the work of both Sydney Kumalo and Ezrom Legae were shown alongside an exhibition of their friend and colleague Edoardo Villa, while Serge Alain Nitegeka was commissioned to create an immersive installation in the atrium.
The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London’s Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the story of photography and its relationship with abstraction from around 1915 to the present day, and will include historic works in a variety of media from painting and sculpture to montage and kinetic installations.
In this exhibition, 13 artists filled the galleries with dramatic tableaux of puppets, props, and sets, from shadow puppets to marionettes, and from tiny toy theater to larger-than life whole-body puppets. The Art of Contemporary Puppet Theater showed how the ancient art of puppetry, devised for storytelling, can – in extraordinary new ways – also give expression to the invisible worlds of emotions and ideas.
The Visible Vagina is a publication that reproduces works of art that were designed to make visible a portion of the female anatomy that is generally considered taboo too private and intimate for public display. If shown at all, this part of a woman’s body is usually presented in an abject fashion, generally within the context of pornography, intended, in almost all cases, for the exclusive pleasure of men.
The World Goes Pop explores the contemporaneous engagements with a spirit of pop throughout the globe, concentrating not only on the relatively well-covered activity in the US, UK and France but also on developments throughout Central and Eastern Europe, Latin America, Asia, Africa and the Middle East.
This book accompanied an exhibition that opened at the National Arts Festival in 2004. It considers work by a range of women artists who have represented themselves and their bodies in their work. The book is accompanied by an education supplement written by Philippa Hobbs. The educational supplement has been designed as a guide for…
Today and Yesterday is a Catalogue of an exhibition of Tyrone Appollis’ work held at the Sanlam Art Gallery, Bellville, in 2006.
Published in 2014 by the Goodman Gallery on the occasion of the exhibition Unrest by Hasan and Husain Essop and the Standard Bank Young Artist Award for Visual Art 2014
exhibition catalogue for Jo Smail’s solo show at Goya Contemporary, Baltimore, USA, in 2009
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