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Gerhard Richter is one of the most influential artists of modern times. His painting “September” is a response to the bombing of the World Trade Center on September 11, 2001, made some four years after the event.
The book explores the endless possibilities and permutations of realism. It acknowledges the past as well as addressing present time issues. Gordon Victor is South African born and has both exhibited and taught art in Australia since 1987. Primarily a painter and sculptor, the artist also creates assemblages, collages, drawings, photographs and installations.
This is the first book in English to introduce this key figure of Europe’s postwar avant-garde and cultural underground. Through new essays and primary sources, it foregrounds the artist’s influence in contemporary art since the 1960s.
This book is a comprehensive introduction to the life and work of the important British abstract painter William Scott (1913 – 1989). After studying at Belfast College of Art and the Royal Academy of Arts in London, Scott began his painting career in 1946 while teaching at Bath Academy of Art, concentrating on still lifes…
Joyce Townsend and Tony Smibert have used their considerable expertise to develop a book with a breadth of content suitable for anyone who wants to become a painter in watercolour.
Out of stockArtist, writer, arts administrator and curator David Koloane has established a reputation both locally and internationally. His paintings and graphics have been featured in major collections and exhibitions worldwide.
TAXI-012 SANDILE ZULU, the 12th title in the TAXI Art series, is the first book on the work of Sandile Zulu. Over the last decade, Zulu has developed a working method that relies as much on rhythm and repetition as it does on the unpredictability of the elements – fire, water, found objects – he uses. He is, as Colin Richards notes in his meticulously researched essay, a pyromancer, a collector of natural elements, and a scavenger after industrial debris.
Mmakgabo Sebidi traverses mental and physical landscapes with an eye trained on the dangerous, the discomfiting, the traumatic and the ecstatic in human experience. She is deeply grounded in her rural upbringing and traditions but also finely attuned to the rhythms of the city in which she has spent much of her adult life. Sebidi brings together these two worlds in works of great visionary and prophetic power. Her themes are wide-ranging: her cultural roots, the wisdom of the ancestors, the ravages of the modern world on the human psyche, the loss of tradition, the potential of human creativity to build relationships and restore the past.
Paul Stopforth is known in South Africa for work that comments on the harshness and injustices of life under apartheid. His art – comprising sculpture, drawing, painting, and printmaking – is not, however, narrowly political but instead occupies a space ‘between the material and the spiritual, imaging finitude and mortality’.
This newest addition to the Little Book series publishes to coincide with a major Vuillard retrospective opening at the National Museum, Washington D.C. mid-January 2003. The exhibit travels to Montreal in the Spring and then to Europe. In The Little Book of Vuillard (1868- 1940) we have the authority of French curators, a full color…
J.M.W. Turner was a fascinating and enigmatic figure. Both astonishingly prolific and extraordinarily innovative, he is widely seen as the greatest British landscape painter of them all, anticipating and surpassing the Impressionists in his dramatic interpretations of the effects of light and colour.
He was famous throughout Italy for his fulminating temper, but also for his radical and sensitive humanization of biblical stories, and in particular his decision to include the brutal and dirty life of the street in his paintings. Caravaggio was a rebel and a violent man, but he eyed the world with deep empathy, realism, and an unrelenting honesty.
Intellectual, emotional, restless, dogged, loyal, selfish; Kandinsky was an artist – and a man – of contradictions. This genre-defying painter didn’t pick up a brush until he was thirty years old.
In the history of twentieth century modernism, Henri Matisse is a calm and unstoppable revolution of creative genius.
Claude Monet is best known as a leader of the Impressionists, his paintings defining the style that triggered a revolution in art. During the eighty-six years of his life, Monet never rested, and was always driven by the urge to paint.
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