Showing 145–151 of 151 results
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R1020In The White Casket, Japanese artist Miwa Yanagi has created a bizarre fantasy world inhabited by department store “elevator girls”. In upscale Japanese department stores, the elevator girl performs the role of a hostess, directing customers to their destinations while lending an aura of elegance to the shopping experience.
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R495From the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues centering on the relationship between the photograph and the viewer standing before it that until then had been the province only of painting.
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R600Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image.
This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.
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R145This new survey provides a complete history of American art and architecture from its seventeenth-century colonial beginnings to the latest installation and video work
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R270Andreas Müller-Pohle has created a portrait comprised of eleven near-identical pictures of the Japanese Yumiko, culminating in an
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R720Known primarily for his demanding performances of the 1990s, Zhang Huan (born 1965) has more recently made paintings using incense ash gathered from ceremonies performed at Buddhist temples in Shanghai. This volume presents a series of ash paintings that refer to recent Chinese history. Entitled ‘The Mountain is Still a Mountain’, a reference to the teachings of a Chan Buddhist master from the Tang Dynasty period, this exhibition presented a series of large-scale figurative ash paintings that touch on diverse cultural, political and spiritual themes.
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R160Taking its title from the wordplay of a child who has cerebral palsy, this book spotlights the world of disability- a world that tends to be secret, a source of stigma, shame and disgrace.
The subtle and sensitive photography of Angela Buckland records her journey through this world from when she first suspected that her son was disabled to her decision to record the experiences of seven families with disabled children.