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Volume 6 of the Contact Zones Series is presenting the work of photographer Ananias Leki Dago. Born in Abidjan, Ivory Coast, he is one of the most prominent photographers of contemporary African art. Travelling has become an essential source of his work: the Caribbean, the Middle East and also various parts of Europe and Africa….
Out of stockArt and Justice: The Art of the Constitutional Court of South Africa documents and celebrates the artworks integrated into and collected for the Constitutional Court of South Africa. The book pays tribute to the extraordinary vision of the architects and judges of the Court who sought to bring together, in the most inspiring, innovative and dignified way possible, art and the workings of justice, and to give a public soul to the new Court building.
800×600 Volume 4 is dedicated to the work of Ato Malinda who lives and works in Nairobi. Malinda has created a significant corpus of work which stands almost alone in the art world of East Africa. She is a performance artist, also working with the media of video, photography, installation and painting. Her work is…
“Bixinho” is an affectionate term of northeastern Brazil, to refer to someone close, and it is about affection the images here present, about different affections: the affection of the photographers to the art of photography, the romantic-sexual affection between two lovers, the affection of friendship.
“These photos can be a gun for those who hate, for those who try to deny our very existence, our love, our family. But our intention is not to hurt-yes, we are fighters, but if our art, our bodies can be weapons we chose to fight side by side the ones who love, staying strong, staying together. In the midst of chaos, hope resists, Marielle Vive!”
“And our bodies become resistance, beyond any and every art.” (Raí Gandra, bixinho)
This work follows the transformation of Sir Giles Gilbert Scott’s brick power station, on Bankside, into the Tate Modern art gallery, by Swiss Architects Herzog & de Meuron. It presents a photographic account of every stage of the development and includes an interview with Jacques Herzog.
Cacti are full of contradictions. Although many are found in the driest and most barren environments on earth, some grow exclusively in the branches of the rainforest canopy. Many species bristle with ferocious-looking spines, while other varieties are perfectly smooth. And while they might strike us as the most austere plants on earth, nearly all of them exhibit remarkable floral displays—some even larger than the plant itself. In Cactus, Dan Torre explores these unique plants as they appear all around the world and throughout art, literature, and popular culture.
Since 1993 Michael Kenna has visited Calais many times and wandered at length throughout the town, photographing its urban landscapes and its proud industrious heart: the lace factories. On his first visit he met Annette Haudiquet, then head curator of the Musée des Beaux-Arts et de la Dentelle. It was during this meeting that the idea for the book Calais Lace, and the exhibition it accompanies, was born.
Edward West uses the metaphorical power of shadow to foreground the shifting visibility of South Africa’s black population post apartheid. From 1997-1999, he traveled in South Africa to photograph the country’s townships, squatter camps, and locations during this historic time of transition. In focusing on the private moments of these newly empowered people within their own communities, West has created a complex, visually compelling study of the ways in which identity is inextricably linked to environment. Utilizing the medium of photography in large scale color Giclee prints, West has developed a rich visual language built on the shadow metaphor that at once moves us and grounds us.
Out of stockHundreds of images by some of the biggest names in photography are organized into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau.
Throughout her career, Cindy Sherman (born 1954) has been interested in exposing the darker sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography and society portraiture.
The Montana woman embodied an extraordinary new image: razor- sharp tailoring and strong silhouettes with dramatic proportions and masculine lines, enlivened by an astonishing mix of detail and bold hues. Materials, colors, and cut were all vehicles for Claude Montana’s effervescent genius, and it was the Lanvin period in the early 1990s that marked the absolute high point of his creativity.
The third volume in the series dedicated to the international collection of the Fondazione Casa di Risparmio de Modena, Breaking News gathers over 120 works, comprising photographs, videos and installations, from Africa and the Middle East.
Conversations comprises a selection of more than 100 photographs drawn from the Bank of America Collection. The publication traces the history of photography through the eyes and imagination of iconic photographers such as Harry Callahan, Robert Frank, Dorothea Lange, Paul Strand and Hiroshi Sugimoto
A self-confessed “plain dresser,†Katharine Adams instead dazzles the world with the fabulous collection that is Couturier Dreams. Gorgeous floating emulsion “garments†dance on every page, with a
For the past 15 years, Dawoud Bey has been making striking, large-scale color portraits of students at high schools across the United States. Depicting teenagers from a wide economic, social and ethnic spectrum–and intensely attentive to their poses and gestures–he has created a highly diverse group portrait of a generation that intentionally challenges teenage stereotypes.
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