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Jean-Michel was born in Brooklyn, New York, to a Puerto Rican mother and Haitian father. When he was eight and recovering from an accident in bed, his mother gave him a copy of Gray’s Anatomy, which sparked his interest in the human form. As a teenager, he gained recognition as part of the graffito duo SAMO that spray-painted cryptic messages and images around the landscape of Manhattan’s Lower East Side.
Out of stockA re-imagining of the fable in terms of the 17 Sustainable Development Goals, in a variety of theatrical styles, catalyzing debate and transferring knowledge through humor, satire and drama.
In an engaging personal narrative interwoven with historical research, Martin Kemp discusses a life spent immersed in the world of Leonardo, and his encounters with great and lesser academics, collectors and curators, devious dealers and unctuous auctioneers, major scholars and authors, pseudo-historians and fantasists. He shares how he has grappled with swelling legions of ‘Leonardo loonies’, walked on the eggshells of vested interests in academia and museums, and fended off fusillades of non-Leonardos, sometimes more than one a week. Examining the greatest masterpieces, from the Last Supper to Salvator Mundi, through the expert’s eye, we learn first-hand of the thorny questions that surround attribution, the scientific analyses that support the experts’ interpretations, and the continuing importance of connoisseurship.
In the book Logo Life. Life histories of 100 famous logos, you can read the short histories of the Apple logo and 99 other logos for world-famous brands, seeing all the little steps and great leaps in the visual evolution of these logos, as well as some of their most iconic uses in brand advertising.
This landmark book documents Simpson’s career in its entirety, up to her most recent work – Simpson’s portrait of Rihanna for the January 2021 cover of Essence has been deemed as one of the most iconic fashion images ever made by a panel of experts in The New York Magazine.
In Losing The Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor. If postapartheid literature’s founding moment was the ‘transition’ to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot- the mapping and making of social betterment – appears to have been lost.
In just a decade, journalist Monica Nicolson Oosterbroek Hilton-Barber Zwolsman married and lost both her beloved husbands – award winning photographers Ken Oosterbroek and Steven Hilton-Barber, as well as her precious 16-month-old son, Benjamin. Most people would have collapsed under the weight of such tragic devastation. But Monica, a survivor of note, now finally tells the story of her rollercoaster ride of a life, in the much anticipated memoir Love. Loss. Life.
Luan Nel received his BAFA in 1993 and his Higher diploma in Education in 1994 from the University of the Witwatersrand, Johannesburg. In 1994 he won the Judges Prize in The Sasol New Signatures competition. In 1998 and 1999 he participated in the artist’s residency at The Rijksakademie van Beeldende Kunsten in Amsterdam.
If interested in reading more about this title, please follow link for book review by Art Times.
Publication was edited and designed by Brenton Maart.
Contributions by Alexandra Dodd, Wilhelm van Rensburg, Lloyd Pollack and Robyn Sassen. Interviews with Ilya Rabinovich, Mosheke Langa and Keval Harie
Lucian Freud was one of the most significant artists of the twentieth and early twenty-first centuries, and Phaidon is honored to publish the most complete retrospective of his career to date. This sumptuous, definitive set is the result of an extraordinary collaboration between David Dawson – Director of the Lucian Freud Archive and for two…
An exciting insight into the workings of artists and museums, Making a Great Exhibition is a colorful and playful introduction geared to children ages 3 to 7.
How does an artist make a sculpture or a painting? What tools do they use? What happens to the artwork next? This fun, inside look at the life of an artwork shows the journey of two artists’ work from studio to exhibition. Stopping along the way we meet colorful characters—curators, photographers, shippers, museum visitors, and more!
Each of the thirty-two activity pages has a theme or suggestion such as “I’m the captain!” or “I’m Monster-ous!” with simple drawings such as fish or googly eyes that serve as a guide and suggestions on how children can make each illustration their own. Illustrated in color throughout
Can racism and intimacy co-exist? Can love and friendship form and flourish across South Africa’s imposed colour lines? Who better to engage on the subject of hazardous liaisons than the students with whom Jonathan Jansen served over seven years as Vice Chancellor of the University of the Free State. The context is the University campus…
Käthe Kollwitz (1867–1945), Paula Modersohn-Becker (1876–1907), Gabriele Münter (1877–1962) and Marianne Werefkin (1860–1938) are among the exceptional artists associated with the emergence of Expressionism in Germany in the early decades of the 20th century. Each challenged prevailing ideals of feminine identity at a time of great societal change. As women, they were expected to marry and raise a family; some chose to, some did not. As ambitious artists, they wanted to work.
As they rose to these challenges, their art further undermined conventions. Their portraits of children symbolize joy, hope and innocence but also melancholy, tension, curiosity, the passing of time and unfulfilled desire. Their radical depictions of the nude wrest the female body away from the male gaze toward a newfound role, expressive of powerful maternity and female subjectivity.
Published in connection with an exhibition at Photo Elysée and in the centenary year of the publication of André Breton’s Surrealist Manifesto, this book presents more than 150 of Man Ray’s portraits, primarily from the 1920s and 30s.
Man Ray (1890-1976), a pioneer of the Dada movement and a central protagonist of surrealism, is best known for his innovative photographs, but his writings are also remarkable expressions of his identity as an artist. The first extensive collection of Man Ray’s texts about art in English, Man Ray: Writings on Art illuminates the diverse ways in which the artist used words to express his aesthetic, philosophical and political ideas. Richly illustrated and drawing on a broad range of materials, including artists’ books, essays, interviews, letters and visual poems, this collection presents the artist’s most significant writings about art, many of them never previously published. Offering a long overdue vision of Man Ray as someone who used words both as a creative medium and as a means of articulating ideas about the nature and value of art, it provides a powerful insight for students and scholars of modern art, as well as for artists, photographers and all those who count themselves as Man Ray fans.
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