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Owen Rogers draws on a wealth of published and archival material to present a lively, occasionally provocative, account of the lawyers caught up in the Jameson Raid – in the dock, at the bar, on the bench, behind the scenes.
Packed with legends, sea lore and exciting true-life tales, this is a highly giftable treasure trove of Britain’s top 100 lighthouses, each one illustrated by award-winning artist Roger O’Reilly.
This volume represents a unique opportunity to admire and understand Leonardo’s extraordinary complexity as an artist, painter, and sketcher, and, in part, his work as a scientist and technologist.
This fresh and engaging, illustrated history of art explains the fundamentals every art lover needs while presenting the development of different schools and styles as one continuous, astonishing timeline— from Giotto to Leonardo, Frida to Banksy.
Leonora Carrington: Surrealism, Alchemy and Art provides a fascinating overview of this intriguing artist’s rich body of work. The author considers Carrington’s preoccupation with alchemy and the occult, and explores the influence of indigenous Mexican culture and beliefs on her production.
Sesotho version.
One of South Africa’s best-selling authors, Sindiwe Magona, has teamed up with well-known American anthropologist, Nina G. Jablonski, and award-winning illustrator Lynn Fellman to create a much-needed book about race and skin colour – for children
‘Letters to Camondo immerses you in another age… de Waal creates a dazzling picture of what it means to live graciously. Subtle and thoughtful and nuanced and quiet. It is demanding but rewarding.
Pearson English Readers bring language learning to life through the joy of reading.
South Africa’s visual history from colonialism to democracy, through iconic photography.
With a new afterword, Why You Are Here: A speech on the opening of the COP26 climate summit
As a young man, I felt I was out there in the wild, experiencing the untouched natural world – but it was an illusion. The tragedy of our time has been happening all around us, barely noticeable from day to day – the loss of our planet’s wild places, its biodiversity.
I have been witness to this decline. A Life on Our Planet contains my witness statement, and my vision for the future – the story of how we came to make this, our greatest mistake, and how, if we act now, we can yet put it right.
We have the opportunity to create the perfect home for ourselves and restore the wonderful world we inherited.
All we need is the will do so.
A remarkable exploration of the use of light in art from the last 200 years Light has been an enduring subject in art. In every conceivable media, artists have exploited the contrasts between light and dark, opposed cool and warm colors, drawn on science, and attempted to capture the transient effects of light and its…
Out of stockOriginally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929-2014), one of South Africa’s foremost artists.
A mere 500 copies were originally published, all taken up at the exhibition, and continued demand has led to its re-release.
Originally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929-2014), one of South Africa’s foremost artists.
A mere 500 copies were originally published, all taken up at the exhibition.
Signed by Philippa Hobbs, November 2014.
Little Andy was the tiniest and palest child of the Warholas, a humble couple from Slovakia who lived in Pittsburgh. Sketchbook glued to his hand, he loved every minute of drawing, but he was too shy to show his work to others, even to his family! As an adult he got a chance to publish his first illustration for a glamorous magazine.
As a child, little Georgia viewed the world differently from other people. She roamed outdoors with her sketch book, while other girls played. As an adult, she painted all day. From New York City to New Mexico, she was influenced by the landscapes of her environment.
Jean-Michel was born in Brooklyn, New York, to a Puerto Rican mother and Haitian father. When he was eight and recovering from an accident in bed, his mother gave him a copy of Gray’s Anatomy, which sparked his interest in the human form. As a teenager, he gained recognition as part of the graffito duo SAMO that spray-painted cryptic messages and images around the landscape of Manhattan’s Lower East Side.
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