Written and illustrated in 1973 by one of South Africa’s most famous artists, Gerard Sekoto, Shorty and Billy Boy, is a book for children as well as art lovers and collectors. The manuscript forms part of a private collection of Sekoto’s sketches, artworks, letters and memoirs.
Written and illustrated in 1973 by one of South Africa’s most famous artists, Gerard Sekoto, Shorty and Billy Boy, is a book for children as well as art lovers and collectors. The manuscript forms part of a private collection of Sekoto’s sketches, artworks, letters and memoirs.
David Krut Projects Cape Town (DKCT) – Education Facilitator: St.John Fuller On Saturday 4 February 2017 St.John Fuller co-ordinated and ran an intensive pinhole photographic workshop for 8 high school learners from Rustenberg Girls High…
In the hot seat: Artist Stephen Hobbs in conversation with designers and collaborators Sphiwe Giba, Keutlwile Tseleng Phala and architectural practice Counterspace: Sarah de Villiers, Amina Kaskar, Sumayya Vally. A critical dialogue between art and architecture is…
24.08.16 Last week, our books outreach and sales team, Innocentia Rantao and Ntombi Sono, conducted a series of school and library visits, including the Michaelis Art Library, which is part of the Central Johannesburg Library. The…
Quarterly Journal Volume 36 Number 2 – Summer 1998.In its various incarnations, Art & Australia has enjoyed a long and rich history as Australia’s premier art journal. The magazine continues to evolve, focusing now on the…
We had a marvelous time at the launch of The Rainbow’s Heart. The gallery was packed with people of all ages who did some colouring in, munched on colourful heart shaped sandwiches and listened to…
When Gilded Age millionaires wanted to buy Italian Renaissance paintings, the expert whose opinion they sought was Bernard Berenson, with his vast erudition, incredible eye, and uncanny skill at attributing paintings.
“The talent that God gave me is bigger than the scandals, the drugs and the mistakes I made with men.” – Kelly Khumalo
It is very cunning of you to get around the problem of replying to my emails by including messages to me in your books. I now understand that The School of Sculpture Without Objects is…
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