Showing 161–176 of 330 results

  • David Smith

    R320

    One of the best-known American sculptors of the modern period, David Smith (1906–1965) was a pioneer of abstract sculpture. He revolutionized the possibilities of metal sculpture by introducing the industrial process of welding, enabling him to create the most extraordinarily balanced compositions – using metal to ‘draw in space’. Predominantly known as a sculptor, the book also sheds light on his prolific practice of drawing, sketching, writing and photographing his sculptures.

  • De Lempicka

    R120

    De Lempicka’s style deployed cool colors and tight post-cubist forms into an at once neoclassical and voluptuous figuration. Her subjects are often nude and always sensual, aloof, and powerful. Bedecked in seductive light and textures, they command our attention but typically avert their gaze with an aspect of haughty grandeur. They include both high-society patrons and progressive portraits of emancipated and lesbian women, such as Women Bathing and Portrait of Suzy Solidor. De Lempicka’s notorious Self-Portrait in the Green Bugatti, meanwhile, was commissioned for the cover of German magazine Die Dame and became an icon of speed, sophistication, and female independence.

    Through some of de Lempicka’s finest, most compelling portraits, this introduction explores the artist’s unique visual language and its privileged place not only in the annals of interwar art but also in the history of female artists and our collective consciousness of the Roaring Twenties.

  • Degas

    R270

    Most commonly associated with the birth of the Impressionist movement in mid-19th-century Paris, Edgar Degas (1834–1917) in fact defied easy categorization and instead developed a unique style, strongly influenced by Old Masters, the body in motion, and everyday urban life.

  • Dieter Roth in America

    R600

    Contains interviews with and photographs of the 25 people who knew or worked with Roth during his time spent in Chicago, Providence, New York, Philadelphia and Los Angeles. Many of the works Roth created during that period are illustrated here in full colour.

  • Donald Saff: Art In Collaboration

    R400

    This book reveals the story of Donald Saff s pioneering work in collaborative editions, unique paintings, and sculptures, chronicling Saff s role working with significant artists. For decades Saff has worked closely and intensely with artists as they navigated the tumultuous journey from conception to finished product, offering solutions and ideas that helped bring their…

  • Dora Maar

    R800

    This hardback Dora Maar exhibition catalogue is an accessible and elegant introduction to the practice and impact of an unsung surrealist master. It contains many of Dora Maar’s greatest works, interspersed with texts by a selection of pre-eminent critics and writers. French photographer, painter and poet Dora Maar (b. Henriette Theodora Markovitch, 1907–97), was a…

  • Dora Maurer

    R300

    Maurer trained in graphic techniques, and in her graphic works, she often examines the movement of markings left by different materials and production processes. Her works, be they photographs, graphic work or films, share a preoccupation with structure, relativity of perception and exploration of the medium’s limits. Essays to include an introductory overview by Tate curator Juliet Bingham; Klara Kemp-Welch will examine Maurer’s early works and pedagogical activities between 1975-7; Carly Whitefield will write on the artist’s film works and the state-run Balazs Bela Studio; and David Feher will survey the artist’s practice from the 1980s to the present day.

  • Dorothea Tanning

    R660

    A major retrospective of the seven-decade career of Dorothea Tanning, the multifaceted artist who pushed the boundaries of surrealist art

    American artist Dorothea Tanning (1910–2012) redrew the boundaries of surrealism. She first encountered the movement in New York in the 1930s, and in the 1940s, she married fellow painter Max Ernst and moved to the Arizona desert.

  • Douglas Gordon (Tate Modern Artist Series)

    R150

    ‘I provide the board, the pieces and the dice, but you are the ones that have to play’-Douglas Gordon
    Over the past decade Douglas Gordon has received recognition as one of the most exciting and challenging British artist working today. His deployment of

  • Dubuffet Drawings 1935-1962

    R660

    An important new study of drawings by one of the most important French artists of the twentieth century

    Jean Dubuffet (1901–1985) achieved international recognition in the late 1940s for his paintings inspired by children’s drawings, the art of psychiatric patients, and graffiti.

  • Duchamp,Man Ray, Picabia

    R540

    This book examines the work of Duchamp, Man Ray, and Picabia, three pioneering figures in the history of modernism. It explores the points of convergence and the parallels in their development throughout their careers.

  • Duchamp: A Biography

    R370

    First published to great acclaim in 1996, New Yorker writer and art critic Calvin Tomkins’ biography of the influential artist Marcel Duchamp (1887–1968) has been out of print for many years.

  • Tate Modern Artists Series: Ed Ruscha

    R200

    The American Artist Ed Ruscha (b. 1937) has worked in a variety of media including painting, printmaking, drawing, photography, books and film, to produce art that is at once playful and profound. Based in Los Angeles since the late 1950s, he was influential in the development of Pop Art on the west coast, particularly through…

  • Ed Ruscha (Tate Modern Artists)

    R200

    American artist Ed Ruscha (b. 1937) is a master of creating art that is at once playful and profound. Ruscha’s inimitable work frequently involves the setting of a single word or phrase against a stained background or monumental landscape. His paintings, prints, drawings, photographs, books, and films were influential in the development of Pop Art, and his stunning artist’s books continue to inspire up-and-coming artists today.

  • Eduardo Paolozzi

    R250

    Eduardo Paolozzi is a major figure in postwar British art: a father of Pop Art, a creator of key icons of the nuclear age, a brilliant manipulator of the images produced by the media, an iconoclast and traditionalist, an outsider and academician.

  • Edvard Munch (World of Art)

    R205

    Long before the first theories of psychoanalysis were formulated, Edvard Munch (1863-1944) became the pioneer of an art which discovered and depicted the inner conflicts of modern man.