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Frank Savage’s is an unlikely success story. Raised in segregated Washington, DC, by his mother, a hairdresser and entrepreneur with little formal education, Savage’s career has taken him around the world as a globetrotting financier
It is a story like no other: an epic of endurance against destruction, of creativity in oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the millennia and the continents – from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It
A major strength of this collection is its precisely noted and rendered detail. Whatever the themes-whether the dilemmas of being differently abled; trapped in lower-income constraints; or born female in an abusively gendered world-they are relayed with authenticity. There is a strongly visceral component to the stories, with the body and its various vulnerabilities, captivities, and seductions featuring in many of them. Some pieces broaden out, both creatively and topically, to explore less obvious facets of staying afloat.
An intimate narrative history of porcelain, structured around five journeys through landscapes where porcelain was dreamed about, fired, refined, collected, and coveted.
The World That Made Mandela: A Heritage Trail – 70 Sites of Significance
Luli Callinicos, one of South Africa’s eminent historians, has created an extraordinary documentary of a book in which geography and history blend, and the collective life and image of a nation is focused through the life of one individual – Nelson Mandela.
Using a thousand images of past and present, The World That Made Mandela moves from rural villages to the hectic metropolis, from Districy Six to Robben Island. Tracing his footsteps through sites of public struggle and private development, it illuminates many hidden spaces in our history, while casting new light on the familiar.
South Africans will find The World That Made Mandela a rich reflection of their cultural and political heritage, and visitors to the country will discover in it the faces of our past and our people.
“This fine book brings to light our living history. Here are the people and events of our past, commemorated in the places that map the pathway to our country’s liberation.” – Nelson Mandela
“Every South African should read this book.” – Walter Sisulu
“Greatness is inborn. But it is what it makes of the time, place and circumstances with which and in which it develops that it is manifest. Luli Callinicos has done something prodigious. The World That Made Mandela is a stunningly fascinating book, on a level high above hagiography, graphic – in both rare photographs and informative text – a fulfilling experience of the exaltation and tragedy by which history, in the hands of greatness, moves on, and leaves its traces for us to visit in sites and landscapes.” – Nadine Gordimer
Through the Darkness: A Life In Zimbabwe is a book long anticipated. Judith Todd’s chronicle of Mugabe’s crimes against his people appals, yet the life of the subtitle has been a high-spirited crusade for justice, democracy and freedom of the press.
Firmly attached to the progressive values of her parents Grace and Garfield Todd erstwhile prime minister of colonial Southern Rhodesia benevolent paternalists engaged in ranching, healing, teaching and politicking in south-west Zimbabwe since 1934, their daughter has proven to be cut from the same cloth.
She was exiled in 1972 by the late Ian Smith, Zimbabwe’s last white prime minister, and stripped of her citizenship by the Mugabe government in 2003. Todd now holds New Zealand citizenship and lives in Cape Town, South Africa.
When Todd returned to Zimbabwe from exile in Britain shortly before independence in 1980, and soon realised that, far from being the solution to Zimbabwe’s ills, Robert Mugabe and his ruling Zanu (PF) party were increasingly becoming the problem. She says when asked what she thinks went wrong in the country that “it’s almost as if Mugabe is angry he is mortal and wants everyone else to die before he does.”
As the country slid into economic and social decline, Todd had a front-row view from her position as director of a local development agency. Over the first 25 years of Mugabe’s rule, she kept journals, notes and copies of letters and documents from which she has compiled an intensely personal account of life in Zimbabwe. These make up Through the Darkness: A Life in Zimbabwe.
Todd’s narrative allows her to record slowly, becoming aware of how ruthlessly the party will enforce its authority and how totally it will contain and then eliminate everything that it regards as dissidence. Only by using the narrative method that she has used is Todd able to convey not only her slow disillusionment but to speak with authority about what is happening. Her authority derives from her presence, from the fact that she records nothing that she has not directly experienced.
Makhosazana Xaba’s second poetry collection is an arresting combination of challenging social commentary and intensely personal reflection.
This poetry of everyday life, flavoured with the spice of fresh and witty observation, written with the sure hand of one who delights in the power and possibilities of words.
.Two novellas – one a parable about Zimbabwe, the other a jazzy story about madness and music in a Johannesburg inner city suburb.
Making art is quite therapeutic, Tracey Moffatt once said of herself. This brief statement reveals much of the artist’s personality and above all about her manner of interpreting the artistic experience, a practice that frequently refers to her personal episodes and events.
Born A Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist.
AOM
In 2001 South Africa was devastated by the news of a brutal rape of a nine-month-old child who came to be known as baby Tshepang. The media reported that she has been gang raped by a group of six men. Later it was discovered that the men had been wrongfully accused and that the infant had instead been raped and sodomized by her mother’s boyfriend. Once the story of baby Tshepang hit the headlines, the scab was torn off a festering wound, and hundreds of similar stories followed.
Spanning a wide geographical range, this collection features many of the now prominent first generation of African writers and draws attention to a new generation of writers. Powerful, intriguing and essentially non-Western, these stories will be welcome by an audience truly ready for multicultural voices.
In this international companion work to ‘Black Sacrifice: The Sinking of the SS Mendi, 1917’, historians John Gribble and Graham Scott draw upon the archaeological research carried out since the wreckage was discovered in 1976. The authors offer a different insight into the part played by the non-combatants of the Labour Corps and why the wreck of a British built steamship has become an internationally recognised symbol of equality and social justice.
Weaving stories about places to which he has recently traveled with images and memories that have persisted since childhood, Dyer tries “to work out what a certain place—a certain way of marking the landscape—means; what it’s trying to tell us; what we go to it for.”
Beiles is probably most famous for helping Burroughs get Naked Lunchpublished at Olympia through Girodias, at a time when Burroughs was really strung out on paregoric and/or heroin. His most famous work in print is probably as one of the four contributors (Beiles, Burroughs, Corso & Gysin) of the now legendary cut-up compilation, Minutes to Go, published in 1960.
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