Candice Breitz: Extra!
R250Candice Breitz: Extra! is the first significant survey exhibition of Breitz’s work on South African soil.
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Candice Breitz: Extra! is the first significant survey exhibition of Breitz’s work on South African soil.
Edward West uses the metaphorical power of shadow to foreground the shifting visibility of South Africa’s black population post apartheid. From 1997-1999, he traveled in South Africa to photograph the country’s townships, squatter camps, and locations during this historic time of transition. In focusing on the private moments of these newly empowered people within their own communities, West has created a complex, visually compelling study of the ways in which identity is inextricably linked to environment. Utilizing the medium of photography in large scale color Giclee prints, West has developed a rich visual language built on the shadow metaphor that at once moves us and grounds us.
This publication features his photographs from the late seventies to the present day, allowing insight into a previously unknown African world. His aesthetically and compositionally unusual photographs combine reality with poetry.
Charles Rennie Mackintosh’s finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than any other work in Britain at that time.
This title offers a lavishly illustrated look at the latest exhibition from innovative contemporary artist Janaina Tschape. In the summer of 2008, German-Brazilian artist Janaina Tschape held a critically acclaimed solo exhibition at the Irish Museum of Modern Art in Dublin. Structured around the genetic form of the fabled Chimera from ancient myth, the exhibition…
Hundreds of images by some of the biggest names in photography are organized into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau.
With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era’s most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography.
Throughout her career, Cindy Sherman (born 1954) has been interested in exposing the darker sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography and society portraiture.
The third volume in the series dedicated to the international collection of the Fondazione Casa di Risparmio de Modena, Breaking News gathers over 120 works, comprising photographs, videos and installations, from Africa and the Middle East.
Conversations comprises a selection of more than 100 photographs drawn from the Bank of America Collection. The publication traces the history of photography through the eyes and imagination of iconic photographers such as Harry Callahan, Robert Frank, Dorothea Lange, Paul Strand and Hiroshi Sugimoto
A classic study of the history of fashion brought right up to date
A self-confessed “plain dresser,†Katharine Adams instead dazzles the world with the fabulous collection that is Couturier Dreams. Gorgeous floating emulsion “garments†dance on every page, with a
Series and Progressions examines Dan Flavin’s (1933-96) use of progressions and serial structures, ideas that were central throughout his career. Famed for creating sculptural objects and installations from fluorescent light fixtures, Flavin was one of the first artists to employ a systematic arrangement of color and light, and had a major influence on Conceptual artistic practices.
Dancers Among Us presents one thrilling photograph after another of dancers leaping, spinning, lifting, kicking—but in the midst of daily life: on the beach, at a construction site, in a library, a restaurant, a park.
For the past 15 years, Dawoud Bey has been making striking, large-scale color portraits of students at high schools across the United States. Depicting teenagers from a wide economic, social and ethnic spectrum–and intensely attentive to their poses and gestures–he has created a highly diverse group portrait of a generation that intentionally challenges teenage stereotypes.
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