South African Art Market: Pricing & Patterns
R500A report on the primary art market in South Africa that examines the structure and regional differences between Cape Town and Johannesburg, South Africa’s art capitals.
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A report on the primary art market in South Africa that examines the structure and regional differences between Cape Town and Johannesburg, South Africa’s art capitals.
Ten Years of Collecting (1979-1989), David Hammond-Tooke and Anitra Nettleton, softcover, published by the University of the Witwatersrand, 1989, tearing, creasing and wear to cover, shelf wear.
Meet the culinarians who are setting the new African table. James Beard Award-winning author Alexander Smalls presents a vibrant library of home cooking recipes and texts contributed by 33 chefs, restaurateurs, caterers, cooks, and writers at the heart of Africa’s food movement.
This Book is signed by some of the chefs featured.
In a world where artistic expression and creative endeavours hold the power to shape reality, The Creative Arts: On Practice, Making and Meaning delves into the intricate and transformative nature of artistic practice.
This indispensable introductory guide explores the art of the African continent from its early origins over 150,000 years ago to the contemporary, set in the context of postcolonial debates, the restitution of cultural objects and artifacts, and the challenges of the present. This enormous and complex field of study, once under-appreciated by the Western art world, is now of global importance and an essential subject of education in art history.
This new book, the first comprehensive publication on the significant site, tells the story of the gas works and the manufacture of gas in Johannesburg, beginning in 1927.
The People Shall Govern! features nearly all the surviving posters that Medu created between 1979 and 1985.
The Standard Bank Foundation of African Art, housed at the University of the Witwatersrand Art Galleries was begun ten years ago. This exhibition, one of the largest of its kind ever held in South Africa, commemorates a partnership which expresses the true ideals of both private enterprise and public education in this country.
The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment.
In the World presents a collection of essays by Cape Town cultural analyst and art critic Ashraf Jamal focused on 24 South African artists working in painting, photography, sculpture and performance. Aimed at a wide, international audience, the texts reconfigure the national narrative of South African art within a broader African and global context. From identity politics to the boom of “African art” in a global contemporary art market, Jamal explores a variety of issues at the heart of South African art practice.
Drawing inspiration from the work of the Truth and Reconciliation Commission, a restorative justice body assembled in South Africa after the abolition of apartheid, Georgette created this provocative and moving series entitled “A Just Society”.
A Labour of Love offers a new look at contemporary South African Art in the 1980s. This publication contains, alongside recently discovered works by young South African artists, new essays by international art specialists, interviews with artists, previously unpublished archival material, and more than 300 illustrations of artworks.
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