Melanie Pullen: High Fashion Crime Scenes
R750High Fashion Crime Scenes, presents her breathtakingly beautiful works based on vintage crime scene images, first-hand accounts, and documents Pullen mined from the files of the lapd.
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High Fashion Crime Scenes, presents her breathtakingly beautiful works based on vintage crime scene images, first-hand accounts, and documents Pullen mined from the files of the lapd.
A comprehensive edition of the artists work of the last ten years, with a special focus on the assemblage works namely the Crystal Girls series. Noé Sendas is a multidisciplinary creative mind working with photography, collage, video, sculpture. His very unique style creates a mystical aura in which one, the spectator, has the freedom to interpret.
Painting Then For Now is a collaboration between an art historian, a painter and a photographer who are rediscovering the modernism in Giambattista Tiepolo’s work.
This ground-breaking book is the result of the shared fascination of an artist and a scientist with the perfect design of pollen grains, organisms so small that they cannot be seen without a microscope.
The exhibition chronicles the practice of unrestrained hunting which has contributed to the ecological devastation we are currently facing.
Samuel Fosso is one of Central Africa’s leading contemporary photographers, whose playful and perceptive work investigates Pan-African identity and history through the use of portraiture. Fosso found his path to art-making through his early work as a commercial portrait photographer, using his leftover film to capture self-portraits against well-considered backdrops and incorporating pose, costume, and props. Renowned for his “autoportraits”—styling himself and others as characters from popular culture or politics—Fosso reflects the world around him through a distinct aesthetic that has at times defied Nigerian dictatorial decree.
This moving book explores the work of Sabelo Mlangeni, and the stories he tells through his photography of communities on the periphery of society. Taking time to build relationships, he gains trust and, eventually, access to inner circles and sacred spaces. Mlangeni’s work seeks to recentre themes of friendship, love and joy in the face of ever-present risk. Above all, his images tell stories of seeking out your people, choosing a family and building a home, wherever you find yourself.
Terence Donovan was one of the foremost photographers of his generation – among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography. Alongside David Bailey and Brian Duffy, photographers of a similar working-class background and outlook, Donovan was a new force in fashion photography. Together, they captured and helped create the Swinging 60s. They socialized with celebrities and royalty, and found themselves elevated to stardom in their own right. Gifted with an unerring eye for the iconic image, Donovan was also master of his craft, a technical genius who pushed the limits of what was possible with a camera. And yet despite his fame and status, there has never been a publication devoted to his fashion work, for he allowed none to be released during his lifetime. Terence Donovan Fashion is thus the first time his fashion pictures have been collected together in book form. Arranged chronologically, from the gritty monochromatic 1960s and 1970s to the vibrant and colourful 1980s and 1990s, the book reveals how his constant invention and experimentation not only set him apart from his contemporaries, but also influenced generations to come. Contributions from some of the many designers, models and art directors who worked with him provide fascinating insights into his practice. Compiled by the artist’s widow Diana Donovan and former art director of Nova magazine and Pentagram partner David Hillman, who worked closely with Donovan for over a decade, and including an illuminating text by Robin Muir, ex-picture editor of Vogue, and foreword by Grace Coddington, creative director of American Vogue and advisor to the project, Terence Donovan Fashion is indisputably a landmark in the history of fashion photography.
The African Gaze is a comprehensive exploration of postcolonial and contemporary photography and cinema from Africa. Drawing from archival imagery and documents, interviews with the photographers and filmmakers (in some cases family members/close associates if the artist is deceased), and contributions from writers, scholars and curators, it maps a comprehensive introduction to African moving and still imagery.
This invaluable resource demystifies the complex, rapidly changing, and sometimes confusing world of digital print technologies. It describes the major digital printing processes used by photographers and artists over the past forty years, explaining and illustrating materials and their deterioration, methods of identification, and options for acquiring and preserving digital prints. A removable chart provides a ready reference for identifying specific materials.
Nazraeli Press is a publisher of books of photography. It was founded in 1989, in Munich, Germany, by Chris Pichler and has been based in the USA since 1996. ‘Twenty Parachutes’ is a unique book showcasing the photographs of late Margaret Bourke-White. Writer and curator, Trudy Wilner Stack, wrote the following in the introduction of ‘Twenty Parachutes’: “Few careers with a camera have been as narrated and celebrated as that of Margaret Bourke-White. With legendary fortitude and energy, Bourke-White time and again nailed the assignments she was given with formal brilliance and incisive descriptive power. In this series of images, we feel a relaxing of her precision as she recorded an emblematic struggle between natural force and human ingenuity, between our limitations and the grand devices we create to defy them.”
A full-career retrospective on the work of Vivian Maier, bringing together a selection of key works from throughout her life and career
Omitting any reference to the purpose or outcome of each wait, Larkin simply records, beside each image, the duration of the wait. J
A catalogue published to accompany Sharlene Khan’s photography series of the same name.
Selected from thousands, these prize-winning photos capture the most powerful, moving, and sometimes disturbing images of the year.
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