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In The Making of Home, Flanders traces the evolution of the house across northern Europe and America from the 16th to the early 20th century, and paints a striking picture of how the homes we know today differ from homes through history.
In THE MIRROR AND THE PALETTE, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery. This is a dazzlingly original and ambitious book by one of the most well-respected art critics at work today.
The NASA Archives is more than just a fascinating pictorial history of the U.S. space program. It is also a profound meditation on why we choose to explore space and how we will carry on this grandest of all adventures in the years to come.
A first monographic catalogue is devoted to Kevin Brand the prizewinner of the Mercedes-Benz Art Award for South African Art Projects in Public Space 2008.
This publication is devoted to William Kentridge’s (born 1955) multimedia cycle The Nose (based on Gogol’s short story of the same name), comprised of the video installation “I Am Not Me, the Horse Is Not Mine,” plus sculptures, tapestries and works on paper. Kentridge describes this cycle as an elegy for the artistic language of the Russian Constructivists.
A wondrous, exhilarating novel about nine strangers brought together by an unfolding natural catastrophe. The perfect literary escape. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut.
In this magazine, we examine what kind of leadership Africa needs to meet the expectations for dignity, freedom, and development of ordinary Africans as well as the practical steps that ought to be taken to ensure meaningful liberation.
Though deeply engaged with painting and drawing, Toulouse-Lautrec’s lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography’s new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector’s living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art’s collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec’s prints from the Museum’s collection, each accompanied by an illuminating essay on the theme.
Out of stockThe People Shall Govern! features nearly all the surviving posters that Medu created between 1979 and 1985.
Out of stockTattooing is an ancient practice with profound religious and cultural significance. While western tattooing centres on three main traditions – Polynesian, Japanese and Euro-American — it has been recorded more or less everywhere.
Beginning with the birth of the tattoo, John Miller explores this unique expression of personal, cultural and national identity, the tension between tattoo’s status as a fashion item and its roots in subculture, and the relevance of magic — a crucial part of tattooing’s origins — in contemporary society.
The Pre-Raphaelites and Their World discusses the lives and work of these friends and arch-rivals. Illustrated with photographs of the artists and reproductions of some of their finest paintings, it includes a history of the society from which the artists emerged, with a discussion of the position of women and the role of religion and literature in Pre-Raphaelite art.
Out of stockPresented as a series of one-page essays opposite the pictures they examine, the book retains the lively, engaging style of the informal lectures through which Benson developed his ideas over the course of 30 years at Yale University. Rooted in hands-on descriptions of practical techniques, The Printed Picture offers a rich and imaginative interpretation of the enormous cultural and social influence of multiple images.
Out of stockWhen a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator.
Out of stockBeneath the public face of Dunn’s work, the author contends, lies a private world of even greater significance, a world in which the essential elements of our being are examined, depicted and, by implication, commented upon – all with a gently satirical eye. It is this re-assessment which forms the basis of Chris Perold’s book, illustrated with reproductions and commentaries on more than one hundred of the artist’s paintings.
The Rebel’s Clinic is a searing biography of the short and harrowing life of Frantz Fanon, and a brilliant, nuanced exploration of his ideas, whose legacy is still so powerful. In an age when debates about race and the effects of colonialism are ever more urgent, The Rebel’s Clinic is a profoundly relevant book.
Out of stockThe Sankofa Colouring Journal is the coming together of empowering elements; Colouring-in, Journaling & the wisdom of Proverbs
from various tribes across Africa, incorporating 20 unique Colouring artworks have been lovingly designed by the legendary veteran illustrator Muziwakhe Nhlabatsi (born 1954) from South Africa. These detailed line artworks bring together tribal aesthetics from all over our ‘Colourful continent’. By colouring-in the artworks you get to collaborate with an esteemed African Artist and engage with a broad range of African Cultural Aesthetics.
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