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800×600 Volume 2 presents the work of visual artist Sam Hopkins, who lives and works in Nairobi. Hopkins, who has been educated in Kenya, Cuba, at the Bauhaus University in Weimar and in Edinburgh, is a crucial representative of a certain young, transnational art scene in Nairobi. The scene is oriented towards, and part of,…
Everything about Sarah Bernhardt is fascinating, from her obscure birth to her glorious career—redefining the very nature of her art—to her amazing (and highly public) romantic life to her indomitable spirit. Well into her seventies, after the amputation of her leg, she was performing under bombardment for soldiers during World War I, as well as crisscrossing America on her ninth American tour.
Associated at various times with Dada, Constructivism and Surrealism, Schwitters produced paintings, collages, sound pieces, sculpture and installation works, as well as journalism, criticism, poetry and short stories. Forced to flee Germany in 1936, Schwitters took refuge first in Norway and then, after the German invasion of Norway, in Britain, where he was interned initially…
Seedtimes – the title of Omar Badsha’s photographic retrospective is drawn from a poem by Mafika Gwala written in the wake of the Soweto Uprising of 1976, a period when the cultural and political movement against apartheid really began to develop momentum in the townships of South Africa.
Chilikov’s photography career began in 1976 in the FACT group (S. Chilikov, Y. Evlampiev, V. Voetsky, E. Likhosherst, V. Mikhaylov). Very soon he became a leader of non-conformist photography in his region. Together with a group of like-minded individuals, he managed to organize exhibitions and festivals and to deal quite peacefully with official Photosoyuses. In 1980-1989 Chilikov organized the Analytical Photo Exhibitions ( Yoshkar-Ola biennale) and the annual open-air photo festival on Kudysh River. In 1988 he participated in the finial exhibition of the FACT group at the Na Kashirke exhibition hall (Moscow).
Out of stockSeydou Keïta was born in Bamako, Mali in 1921, then part of the colony of French Sudan and a bustling transportation hub on the route to Dakar. With a Kodak Brownie given to him by his uncle, Keïta took up photography at the age of fourteen, going on to establish what would become Bamako’s most successful portraiture enterprise of the 1950s and 60s.
Following the ascendance of Art of Nature, Heinrich van den Berg challenges convention to resounding success in the black-and-white sequel Shades of Nature. His fearless approach inspires the reader to see the hidden depths of his images, to subjectively appreciate both the aesthetic and the emotional.
The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London’s Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the story of photography and its relationship with abstraction from around 1915 to the present day, and will include historic works in a variety of media from painting and sculpture to montage and kinetic installations.
In this enthralling portrait Maggie Humm makes available for the first time a wealth of barely known photographs, both amaeur and professional, that cast new light on the private lives of Virginia Woolf and Vanessa Bell as well as the historical, cultural and artistic milieux of their circle in Bloomsbury and beyond. We visit…
This book features the artists: Shelby Lee Adams, Adam Broomberg and Oliver Chanarin, Chien-Chi Chang, Julio Grinblatt, An-My Le, Susan Meiselas, Boris Mikhailov, Simon Norfolk, Trent Parke, Weng Peijun, Paul Shambroom, Massimo Vitali, and, Michael Wesely. It also contains essays by David Campany, Martha Langford, and, Jan-Erik Lundstrom.
A window on the world of South African football culture. Included some great photographs, especially those of some of the originally dressed fans.
Out of stockIn an old house in a small country town three women gather in the pressence of a stinkwood table and their powerful memories of the man they have just buried. In Sorrows and Rejoicings, Athol Fugard turns ones more to his beloved Karoo and to the themes of exile and the importance of place that have permeated so many of his plays.
Taking an inclusive approach to South African film history, this volume represents an ambitious attempt to analyze and place in appropriate sociopolitical context the aesthetic highlights of South African cinema from 1896 to the present. Thoroughly researched and fully documented by renowned film scholar Martin Botha, the book focuses on the many highly creative…
Painstakingly handwritten over a three year period, Spring Will Come is the life story of William Zulu, highly acclaimed for his evocative art-works. Having contracted spinal TB as a baby, William underwent misplaced corrective surgery to his spine which left him paralyzed and permanently wheelchair bound.
Made in close collaboration with the artist, this paperback publication has been created to accompany the first major exhibition of Steve McQueen’s artwork in the UK for 20 years, held at Tate Modern from February 2020. It focuses on McQueen’s powerful body of work from the past two decades, bringing together the immersive video and…
South Africa is where Stuart O’Sullivan was raised, and where his family still lives. Growing up as a member of the white middle class, his childhood was one of affluence and privilege but, as he moved towards adulthood, he became increasingly conscious of the deprivations endured by his fellow South Africans. However, belief in the need for fundamental change came hand in hand with anxiety for his family’s future.
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