Showing 385–400 of 548 results

  • Our Lady of Benoni

    R140

    Through five colourful characters, three of them living out their very individual lives in an unnamed public park in Johannesburg, Zakes Mda explores the plight of women and children in a patriarchal and male-dominated twenty-first century world.

  • Out of the Wreckage

    R100

    Dream parables and flash fiction exploring timeless contradictions and the nature of reality.

    Johannesburg-based author Allan Kolski Horwitz is better known as a poet and an activist involved with several worker organizations, and here he unites these passions.

  • Owusu-Ankomah – Movement to the Microcron

    R400

    Owusu-Ankomah’s charged paintings on canvas depict an alternate world wherein monumental human figures – his core motif – are shown moving within an ocean of signs that surround, support and, in fact, define them. The way in which these figures coexist and interact with various symbolic sets has developed through distinct phases over time, reflecting Owusu-Ankomah’s own journey of spiritual discovery.

  • Paul Edmunds – Aggregate

    R160

    Artist’s Monograph

     

  • Penny Siopis – Grief

    R1250

    Penny Siopis’ Grief brings together a series of small glue and ink paintings on paper – occasionally with the addition of oil and collage elements – produced over a period of two years following the experience of devastating personal loss. The ‘Notes’ are bought together for the first time, accompanied by a poetic text by the artist that draws on writings by the likes of Mahmoud Darwish, Roland Barthes and Joan Didion on grief, concluding with Emily Dickinson:

    ‘After great pain, a formal feeling comes –’

  • Penny Siopis – Shame

    R1250

    For the first time, Penny Siopis’ Shame paintings, produced between 2002 and 2005, are brought together in monographic form as a companion to her new series of Notes, collectively titled Grief. These small mixed media paintings (including mirror paint, oil, enamel, glue, watercolour, paper varnish and found objects) are ‘intimate imaginings of childhood sexuality and dread’.

  • Personal Affects: Power and Politics in Contemporary South African Art Vol. 1

    R270

    Season South Africa is a major program of contemporary visual and performing arts that runs from September 2004 through January 2005. Launched by the Museum for African Art and The Cathedral of St. John the Divine during the year that South Africa is commemorating its first decade of democracy, Season South Africa showcases some of that country’s most gifted and acclaimed contemporary visual and performing artists chosen by an international team of curators.

  • Personal Affects: Power and Politics in Contemporary South African Art Vol. 2

    R200

    This 128-page supplement to the Personal Affects catalogue features photographs and an essay documenting the exhibition and performances at the Cathedral of St. John the Divine and the Museum for African Art, New York.

  • Peter Clarke: Fanfare

    R380

    Peter Clarke is best known for work which reflects the harsh social realities of the disempowered in the Cape. Over the past few years he has been working on a series of collages, entitled Fanfare, which are each accompanied by prose.

  • Peter Sacks: Aftermath

    R700

    A catalogue from exhibition of a series of paintings titled ” Aftermath” at Peter Miller Gallery, NYC, by artist Peter Sacks from 12 September – 1 November 2014 Peter Sacks, a South African expatriate, has a biography that is as rich and varied as the art he practises. Having left his native country at a young age and gone on to become a recognised poet with tenure at Harvard, five books of poetry and a study of the English elegy to his name, Sacks stopped writing in the early 2000s and turned to painting instead.

  • Peter Sacks: Paintings

    R400

    The shifting confluences of poetry and painting elements of narrative, music, metaphor or symbol, as well as those of envisioning and evoking rather than depicting arrive at visual concerns at once bodily, topographical and architectural throughout the work of Peter Sacks.

  • Peter Schütz: An Eye On The World

    R350

    This catalogue accompanied the exhibition that ran at Wits Art Museum, Johannesburg, in 2015, entitled Peter Schütz: An Eye On The World, celebrating the late artist’s legacy.

  • Pierre Crocquet De Rosemond: Enter Exit

    R250

    South Africa has seen dramatic recent changes in its history, so that in today’s post-apartheid society, where division is still evident but now set primarily along economic lines, it is a country with which both Third and First Worlds can identify.

  • Pilot in the Wild – Flights of Conservation and Survival

    R230

    Fuelled by a passion for wilderness and aviation, John Bassi embarked on a challenging and fascinating journey through the birth, growth and change of South Africa’s game capture industry. Trans-location projects, wildlife research, and veterinary and breeding projects expose him to the shape, form and movement of African wildlife on a daily basis. John specialized…

  • Points for Departure

    R300

    In Points for Departure ceramicist Dina Prinsloo documents her life’s work through a sumptuous collection of photographs, text, diagrams and notes. The book documents Prinsloo’s collaboration with prominent South African architects in which she has created sculptural objects and containers that become extensions of site and the built structure.

  • Positions:Contemporary Artists in South Africa

    R280

    Ranging from resistance to education, contemporary artists are increasingly raising opposition to economic pressure, radical social change and rapidly changing identities. How does the local contemporary art scene respond to the worldwide dynamics of globalisation? Which social, political and cultural positions do individual artists adopt? This volume presents views of some of South Africa’s most…