Showing 177–192 of 521 results
Wayne Barker’s artistic career spans almost two decades, marked by a bitter-sweet mix of politics, poetry, and a passion for subversion. Tracking that career from apartheid South Africa’s most violent years to a new democratic dispensation, the artist’s monograph explores the contradictory impulses of “African identity”.
Out of stockA catalogue published to accompany Sharlene Khan’s photography series of the same name.
What Remains is a fusion of text, dance and movement to tell a story about the unexpected uncovering of a slave burial ground in Cape Town, the archaeological dig that follows and a city haunted by the memory of slavery. When the bones emerge from the ground, everyone in the city – slave descendants, archaeologists, citizens, property developers – is forced to reckon with a history sometimes remembered, sometimes forgotten.
Published in 2019, When the moon waxes red: Negotiating Subjective Terrain as an ‘Inside-Outsider’, an ‘Outside-Insider’ accompanies the exhibition of the same name.
Exhibition catalogue Standard Bank Gallery Johannesburg 25 September 2007 to 1 December 2007. Contains a fascinating 24pp interview with the artist and many colour photographs. 28 x 30cm 120pp.
This book is an opportunity for Kentridge enthusiasts to catch a glimpse of this little-known early series of 14 etchings and also offers a further taste of the ongoing catalogue raisonné project.
The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…
In a brilliant exposition of Kentridge’s output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art.
The new year is synonymous with resolutions, good intentions, and dreams of a successful year ahead.
Out of stock
Worlds in one country is a compact, inclusive history of writing in South Africa from the nineteenth century to 1994 that crosses boundaries of language and colour, including prose, poetry and theatre.
“Zabalaza Republic reiterates the need for my people to find value in our blackness. For my generation, the battle against white supremacy culture has taken on psychological implications echoing sentiments of what Du Bois referred to as double consciousness. My poetry comes from the wreck left behind after ethnic and racial collisions. For me, this book represents an optimistic step forward towards healing and a return of black self-love.’’
As Sihle Ntuli describes the essence of his collection, the poems encompass numerous aspects of black alienation resulting from collisions with the white world, which despite the ‘zabalaza’ seemingly having been won in 1994, still remains the ruling environment.
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment.
The highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, Somnyama Ngonyama, Hail the Dark Lioness
Set against the backdrop of the success of the first democratic elections and the launch of the Truth and Reconciliation Commission in South Africa, Zulu Love Letter is a story of two mothers in search of their daughters.
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