Ouma’s Autumn
R185Based on historical fact, it tells the poignant story of a little girl and her Ouma who experience removal from their suburb when it is proclaimed ‘white’ under apartheid’s Group Areas Act.
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Out of stockBased on historical fact, it tells the poignant story of a little girl and her Ouma who experience removal from their suburb when it is proclaimed ‘white’ under apartheid’s Group Areas Act.
Out of stockTeresa Kutala Firmino’s first comprehensive monograph, Owners of the Earth catalogues the four-part exhibition of the same name, spanning two years (2022 – 2023). Each chapter correlates with one segment of the exhibition, displaying the artwork, installation and performance images from each body of work. Six essays interrogate Firmino’s practice and shed further light on the artist and her world.

A catalogue published to accompany the exhibition of the same name by Lien Botha in 2009 with an introductionary essay by Bronwyn Law-Viljoen

For the past decade, in an ongoing project titled The Lost Men, renowned artist Paul Emmanuel has challenged conventions around war memorials. He has questioned which soldiers are memorialised and which are erased, and the stereotypes around soldiers and masculinity. Featuring artworks from his three iterations of The Lost Men, Paul Emmanuel Men and Monuments highlights vulnerability, an aspect of masculinity so often denied by history and society.

“Let us, then, set off together on a series of journeys around South Africa with an old kitbag full of books instead of maps to guide us. Let us follow meandering paths through the landscapes of literature, and celebrate how local authors, characters and readers are shaped and inspired by place …”
Out of stockRanging from resistance to education, contemporary artists are increasingly raising opposition to economic pressure, radical social change and rapidly changing identities. How does the local contemporary art scene respond to the worldwide dynamics of globalisation? Which social, political and cultural positions do individual artists adopt? This volume presents views of some of South Africa’s most prominent artists, writers, choreographers, photographers and musicians. Produced in direct dialogue with journalists and cultural scientists from the respective art scenes, developments within today’s cultural flashpoints are illuminated in interviews, portraits and essays.
Throughout, the focus is on the artists’ individual perspectives, not theoretical or historical concepts, with their specific approaches and different forms of expression they give insight into the pressing issues of South African society, showing how political art is positioned in the post-apartheid era.
Out of stockPostmodernism and Architecture at the End of Apartheid expands on contemporary discourse in postmodernism and architectural theory, public culture, and urban spatial politics.

Lyrical, lilting and lachrymose, Stephen Symons’ debut collection of poems fearlessly voyages through the vast and unknowable depths of ocean and adulthood. In sparse, yet gorgeously flowing verse, Symons gives in to the currents of love, war, nostalgia and fatherhood, bringing a new sensitivity to South African poetry; creating a collection infused with an all encompassing awe for the majesty and mystery of the natural world, and humanity’s every changing place in it.
Out of stockA white woman brings up the born free black girl in Cape Town suburbia– in the process alienating her from the rest of her township
family.

The poems seek to explore language and sound (the ‘signs’), how they relate to meaning (and to poetry), and how they ‘return’ again and again, as though locked in certain patterns.

In this, his third collection of poetry, Solomons foregrounds portraits as well as memories of personal shifts, and reflections in the context of a broad national and global milieu ruptured, intermittently, by pandemics and political upheavals.

The greatest form of wisdom lives inside us and Journaling is an amazing way to tap into our own brilliance. We colour-in, expressing our unique creativity and allow our minds to reflect & relax. The Sankofa Mode Hidden Gems book is the coming together of 3 beautiful and empowering elements; Colouring-in, Journaling & the wisdom of Proverbs from various tribes across Africa.
Containing colouring artworks designed by the legendary veteran illustrator Muziwakhe Nhlabatsi (born 1954) from South Africa, these detailed line artworks bring together tribal aesthetics from all over our ‘Colourful continent’. By colouring-in the artworks you get to collaborate with an esteemed African Artist and engage with a broad range of African Cultural Aesthetics.

These poems cover many different states of mind and situations and are deeply rooted in South Africa but also travel to other continents.
Out of stockUNISA Series of essays dealing with issues in English Studies in Southern Africa.

This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Jacques Lecoq to the process of rehearsing or workshopping the Shakespeare text.

This unique text charts the critical social and legal debates and jurisprudential developments that took place during the rape law reform process from a comparative and international context. It also provides important insights into the engagement of civil society with law reform and includes thoughtful and contemporary discussions on the topics. It highlights the significance of rape law reform inclusion or exclusion at various stages in the process and discusses the strategic decisions made by gender activists and the context in which these decisions were made. The book also emphasises potential implementation challenges and considers how these might be addressed in terms of law and policy.
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