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The book “In the Shadow of the Noose” traces the legal case brought by DITSHWANELO – The Botswana Centre for Human Rights, on behalf of two Basarwa/San men. Convicted of murder and sentenced to death in 1997, they successfully challenged their death sentences. Their convictions and sentences were set aside in 1999. After being re-charged…
Abu Bakr Solomons continues his exploration of the unfolding social and political milieu -worlds in transition – both locally and globally; the threats and compelling beauty which coexist in these complex human tragedies and triumphs so that the past and the present intersect in the psyches and consciousness of individuals and delivery of social movements.
We need this book. Of course Africa needs it as well, because no other huge area of the planet is treated as such a singular region, and that has to change. But the rest of the planet needs It’s a Continent because we miss out by not recognizing the individual majesty, the complexity, the beauty, the culture and the stories of the dozens of African countries.
Hlungwani’s body of sculpture articulates his spiritual journey, his insights, and his world in three-dimensional form aiding him in his life’s mission as orator, teacher, healer, and visionary. The sculptures are evidence not only of a remarkable sustained artistic endeavour, but are also, by nature, sculptures that teach. Hlungwani created specific works for the two altars on the hilltop site that he called ‘New Jerusalem.’ These sculptures – as well as many others – expressed his immanent relationship with God, Christ and the Archangels Gabriel and Michael. His numinous world was then directed to his community in his teachings, and beyond, as he freely shared his vision of a new world order.
South African sculptor Jeremy Wafer was born in 1953 in Durban and is Professor of Sculpture in the School of Arts of the University of the Witwatersrand. He was awarded the Standard Bank National Drawing Prize in 1987 and the Sasol Wax Art Award in 2006.
In “Unfolding Her” Jill Trappler explores the notion of ‘foreverness’ in her non-figurative art practice.
Karoo Keepakes is a traveller’s companion to the Heartland of South Africa: the Karoo. It details the faces and places and heritage legends of this ancient dry land. ‘Keepsakes’ has been favourably reviewed by South African and offshore media, including National Geographic Online
Karoo Roads is a collector’s treasure box of trips and tales gathered from more than a decade of research and rubber-on-the-road experiences, penned and photographed by two award-winning travel writers, Chris Marais and Julienne du Toit, who will introduce you to some of the loveliest, toughest, most creative and downright crazy characters, critters and cultures thriving in the Dry Country.
A first monographic catalogue is devoted to Kevin Brand the prizewinner of the Mercedes-Benz Art Award for South African Art Projects in Public Space 2008.
The year is 2030. The drama centres on the encounter between the amaXhosa and the Khoi/Coloured descendants, which takes place at Intaba KaNdoda, a poverty-stricken community once ruled by the Khoi chief Ndoda.
‘Letters to Camondo immerses you in another age… de Waal creates a dazzling picture of what it means to live graciously. Subtle and thoughtful and nuanced and quiet. It is demanding but rewarding.
A collection of esays about objects in the collection at Wits Art Museum, based on research by postgraduate History of Art students at the University of the Witwatersrand and their lecturers: Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes. This book accompanies the exhibition at the Standard Bank Gallery.
“A particularly exciting and important aspect of this project is the reinvigoration of art history in a South African context. Through the association with Wits Art Museum, students have the privilege of doing original research with objects, of seeking links across disciplines and time-frames, and of finding new paths beyond western-tradition art historical practice” Anonymous peer reviewer
Originally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929-2014), one of South Africa’s foremost artists.
A mere 500 copies were originally published, all taken up at the exhibition, and continued demand has led to its re-release.
Originally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929-2014), one of South Africa’s foremost artists.
A mere 500 copies were originally published, all taken up at the exhibition.
Signed by Philippa Hobbs, November 2014.
A re-imagining of the fable in terms of the 17 Sustainable Development Goals, in a variety of theatrical styles, catalyzing debate and transferring knowledge through humor, satire and drama.
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