Hungry on Arrival
R120I believe poetry like jazz, allows one to knock on the void of silence. In this way I celebrate the lives of artists and poets such as Mafika Gwala, Jackson Hlungwani, Kippie ‘Morolong’ Moeketsi and Fana Zulu.
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I believe poetry like jazz, allows one to knock on the void of silence. In this way I celebrate the lives of artists and poets such as Mafika Gwala, Jackson Hlungwani, Kippie ‘Morolong’ Moeketsi and Fana Zulu.

I Make Art restages John Baldessari’s I am Making Art (1971) following his 1970 Class Assignments (Optional) to ‘Imitate Baldessari in Actions and Speech. Video’. Baldessari’s gestural playfulness, copied, repeated and appropriated by a South African woman artist, becomes a strained signifier of accumulated otherness in its repetitious shorthand indexing of Western art categorisations: I Make African Art, I Make Contemporary Arab Art, I Make Craft, I Make Feminist Art, I Make Performance Art, I Make Digital Art, I Make Protest Art, I Make Interdisciplinary Art, I Make Deconstructive Art.

The book “In the Shadow of the Noose” traces the legal case brought by DITSHWANELO – The Botswana Centre for Human Rights, on behalf of two Basarwa/San men. Convicted of murder and sentenced to death in 1997, they successfully challenged their death sentences. Their convictions and sentences were set aside in 1999. After being re-charged…

Abu Bakr Solomons continues his exploration of the unfolding social and political milieu -worlds in transition – both locally and globally; the threats and compelling beauty which coexist in these complex human tragedies and triumphs so that the past and the present intersect in the psyches and consciousness of individuals and delivery of social movements.

A book of many secrets dedicated to the strangers all over the world
The collection deals with strange and mysterious subject matter such as mysticism, surrealism, Middle Eastern mythology, and dreams.

We need this book. Of course Africa needs it as well, because no other huge area of the planet is treated as such a singular region, and that has to change. But the rest of the planet needs It’s a Continent because we miss out by not recognizing the individual majesty, the complexity, the beauty, the culture and the stories of the dozens of African countries.

Hlungwani’s body of sculpture articulates his spiritual journey, his insights, and his world in three-dimensional form aiding him in his life’s mission as orator, teacher, healer, and visionary. The sculptures are evidence not only of a remarkable sustained artistic endeavour, but are also, by nature, sculptures that teach. Hlungwani created specific works for the two altars on the hilltop site that he called ‘New Jerusalem.’ These sculptures – as well as many others – expressed his immanent relationship with God, Christ and the Archangels Gabriel and Michael. His numinous world was then directed to his community in his teachings, and beyond, as he freely shared his vision of a new world order.
Out of stockSouth African sculptor Jeremy Wafer was born in 1953 in Durban and is Professor of Sculpture in the School of Arts of the University of the Witwatersrand. He was awarded the Standard Bank National Drawing Prize in 1987 and the Sasol Wax Art Award in 2006.
Out of stockIn “Unfolding Her” Jill Trappler explores the notion of ‘foreverness’ in her non-figurative art practice.
Out of stockThe book explores Nel’s wide-ranging interests and engagement with the role of drawing as a discipline, as a form of notation for exploring thought and consciousness in interpreting self, the world and the universe at large.

Karoo Roads is a collector’s treasure box of trips and tales gathered from more than a decade of research and rubber-on-the-road experiences, penned and photographed by two award-winning travel writers, Chris Marais and Julienne du Toit, who will introduce you to some of the loveliest, toughest, most creative and downright crazy characters, critters and cultures thriving in the Dry Country.

A first monographic catalogue is devoted to Kevin Brand the prizewinner of the Mercedes-Benz Art Award for South African Art Projects in Public Space 2008.
Out of stock
This book narrates the process on internal conflict which the artists experienced in such a context as well as the artistic products which emerged.

Owen Rogers draws on a wealth of published and archival material to present a lively, occasionally provocative, account of the lawyers caught up in the Jameson Raid – in the dock, at the bar, on the bench, behind the scenes.

‘Letters to Camondo immerses you in another age… de Waal creates a dazzling picture of what it means to live graciously. Subtle and thoughtful and nuanced and quiet. It is demanding but rewarding.
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