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A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge’s early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.
This book is an opportunity for Kentridge enthusiasts to catch a glimpse of this little-known early series of 14 etchings and also offers a further taste of the ongoing catalogue raisonné project.
Published to accompany Kentridge’s first retrospective exhibition in the United States and South Africa, this fascinating book offers in-depth coverage of the artist’s animated films, drawings, and theater productions. Kentridge has also created 16 new, previously unpublished artist’s pages for the book.
The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…
Out of stockIn a brilliant exposition of Kentridge’s output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art.
Out of stockThe print companion to Kentridge’s latest film series, bringing to life the eccentric, whimsical world of the artist’s mind and his studio
The new year is synonymous with resolutions, good intentions, and dreams of a successful year ahead.
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Worlds in one country is a compact, inclusive history of writing in South Africa from the nineteenth century to 1994 that crosses boundaries of language and colour, including prose, poetry and theatre.
“Zabalaza Republic reiterates the need for my people to find value in our blackness. For my generation, the battle against white supremacy culture has taken on psychological implications echoing sentiments of what Du Bois referred to as double consciousness. My poetry comes from the wreck left behind after ethnic and racial collisions. For me, this book represents an optimistic step forward towards healing and a return of black self-love.’’
As Sihle Ntuli describes the essence of his collection, the poems encompass numerous aspects of black alienation resulting from collisions with the white world, which despite the ‘zabalaza’ seemingly having been won in 1994, still remains the ruling environment.
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment.
The highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, Somnyama Ngonyama, Hail the Dark Lioness
Set against the backdrop of the success of the first democratic elections and the launch of the Truth and Reconciliation Commission in South Africa, Zulu Love Letter is a story of two mothers in search of their daughters.
This book is a tribute to Ainslie’s life and legacy – his vibrant painting practice, radical teaching philosophy, and deep commitment to community. Through a composite of voices, memories and archival material, it offers a multifacted portrait of an artist whi believed that freedom in art could help shape freedom in society.
Liberated Voices highlights major trends in contemporary artistic practice in South Africa, bringing together a cross-section of paintings, sculptures, installations, photographs, and videos created since 1994.
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