Alone The Search for Brett Archibald
R290Publisher: Jacana Media
Paperback / Softback
320 Pages
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When Brian O’Doherty first published his famous essay Inside the White Cube, The Ideology of the Gallery Space in 1976, he provocatively questioned the gallery space and system. Already one year earlier, RoseLee Goldberg had argued that the emerging arts practices at that time, as conceptual art or performance art, amongst others, negotiate space radically…
Out of stockThe first book to explore the complex relationship between law and literature in testimony to crimes of apartheid before South Africa’s Truth and Reconciliation Commission, Ambiguities of Witnessing closely analyses key individual testimonies.

Two very different women meet during a long wait to buy subsidized rice and discover they have more in common than their poverty; an old man and child share a last, loving waltz; a cynical, disabled gangster learns humanity from a committed social worker; and a young girl finds her missing father and her role in the political struggle.
And They Didn’t Die dramatises the heroism of Jezile, a young rural woman. Her story also depicts the emergence of collective resistance by rural women in South Africa of the 1950s and 60s.

An exhibition catalogue of major works spanning the illustrious 40-year career of South Africa’s pre-eminent contemporary sculptor, Andries Botha, entitled Being Here (and there).

This is the sixth edition of the best selling introduction to archaeology, printed in full colour for the first time, with hundreds of photographs and diagrams. It has been given the most thorough updating and reorganization since it was first published, providing coverage of all the major developments in archaeological method, science, technology and theory.

Since its first edition, Renfrew and Bahn’s Archaeology: Theories, Methods, and Practice has been the leading academic source on what archaeologists do and how they do it. This indispensable resource is a comprehensive introduction to archaeology’s theories, methods, and practices in the field, the laboratory, and the library.

FEATURES – Revolutions – Forms that turn: Carolyn Christov-Bakargiev in conversation with Russell Storer – Spherical and Without Exits: thoughts on William Kentridge’s anamorphic film What Will Come (Has Already Come) by Jane Taylor – Artist pages by William Kentridge – Conceptual Artist Meets Girl: Stuart Ringholt and the art of self-improvement by Sarah Tutton…
Out of stockArt and Justice: The Art of the Constitutional Court of South Africa documents and celebrates the artworks integrated into and collected for the Constitutional Court of South Africa. The book pays tribute to the extraordinary vision of the architects and judges of the Court who sought to bring together, in the most inspiring, innovative and dignified way possible, art and the workings of justice, and to give a public soul to the new Court building.

Superbly illustrated with more than 150 specially commissioned colour photographs, this book beautifully demonstrates the dazzling strengths of Morocco’s crafts – a centuries-long tradition which intermingles influences from both Black Africa and Islam, and from the spectacular cultural alliance of the Moors and the Spaniards.
Out of stockOne of the tragic spinoffs of the apartheid policy has been the dehumanization of millions of black migrant workers who have been confined to single-sex hostels for most of their adult lives.

This book is dedicated to the work of Ato Malinda who lives and works in Nairobi. Malinda has created a significant corpus of work which stands almost alone in the art world of East Africa.
Out of stockAudrey Ngcaba worked as a nurse for 36 years in the public health system in South Africa. At the age of fifty-five, Ngcaba decided to take an early retirement after an ongoing frustration with her working environment. “I retired early because of insufficient human resources. There were not enough materials to work with, no gloves, no fluids for putting up drips. I tried for years and years but couldn’t work under theses conditions…When I retired I thought I’ve done my part. I’ve compromised and improvised up to a point…and then I had enough.”

The publication includes articles written by the three young writers, Siya Masuku, Lukho Witbooi and Nolan Stevens, alongside texts by Sassen and Jamal, spanning the history of the Bag Factory Artists’ Studios to the contemporary themes emerging out of interviewed artists’ work. Stevens gives an overview of the institution through comparing the work of younger and older artists working in the studios. Masuku looks at the work of female artists in the space, past and present, and Witbooi does an in-depth analysis of Onyis Martins work, which evokes themes of memory and loss.
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