A Zulu Song Book (1911): (Amagama Abantu)
R115This is a reprint of the earliest collection of Zulu secular songs. Designed for the use of Christian converts, it aimed to provide non-traditional recreational music.
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This is a reprint of the earliest collection of Zulu secular songs. Designed for the use of Christian converts, it aimed to provide non-traditional recreational music.
Cape Point, at the southern tip of South Africa, was once believed to be the place where the Indian and Atlantic Oceans meet. It is one of those places that remind us of our transience. End of the World is a visual echo of an exchange: at Cape Point, I sensed, in a moment of…
Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.
In summary, this book has succeeded in positioning itself as a stunningly attractive “coffee table piece” for general interest readers, but also as an important and “un-equalled reference source”, for academics and others requiring more detailed scientific information.
Charl-Pierre Naudé demonstrates that poetry problematises generally accepted truths, estranging it so that it may be experienced anew. In Naudé’s poetry the strangeness is important. Strange spaces are set foot upon to rediscover the known, by looking in from the outside as it were.
When Brian O’Doherty first published his famous essay Inside the White Cube, The Ideology of the Gallery Space in 1976, he provocatively questioned the gallery space and system. Already one year earlier, RoseLee Goldberg had argued that the emerging arts practices at that time, as conceptual art or performance art, amongst others, negotiate space radically…
The first book to explore the complex relationship between law and literature in testimony to crimes of apartheid before South Africa’s Truth and Reconciliation Commission, Ambiguities of Witnessing closely analyses key individual testimonies.
Two very different women meet during a long wait to buy subsidized rice and discover they have more in common than their poverty; an old man and child share a last, loving waltz; a cynical, disabled gangster learns humanity from a committed social worker; and a young girl finds her missing father and her role in the political struggle.
And They Didn’t Die dramatises the heroism of Jezile, a young rural woman. Her story also depicts the emergence of collective resistance by rural women in South Africa of the 1950s and 60s.
An exhibition catalogue of major works spanning the illustrious 40-year career of South Africa’s pre-eminent contemporary sculptor, Andries Botha, entitled Being Here (and there).
This is the sixth edition of the best selling introduction to archaeology, printed in full colour for the first time, with hundreds of photographs and diagrams. It has been given the most thorough updating and reorganization since it was first published, providing coverage of all the major developments in archaeological method, science, technology and theory.
Since its first edition, Renfrew and Bahn’s Archaeology: Theories, Methods, and Practice has been the leading academic source on what archaeologists do and how they do it. This indispensable resource is a comprehensive introduction to archaeology’s theories, methods, and practices in the field, the laboratory, and the library.
FEATURES – Revolutions – Forms that turn: Carolyn Christov-Bakargiev in conversation with Russell Storer – Spherical and Without Exits: thoughts on William Kentridge’s anamorphic film What Will Come (Has Already Come) by Jane Taylor – Artist pages by William Kentridge – Conceptual Artist Meets Girl: Stuart Ringholt and the art of self-improvement by Sarah Tutton…
Art and Justice: The Art of the Constitutional Court of South Africa documents and celebrates the artworks integrated into and collected for the Constitutional Court of South Africa. The book pays tribute to the extraordinary vision of the architects and judges of the Court who sought to bring together, in the most inspiring, innovative and dignified way possible, art and the workings of justice, and to give a public soul to the new Court building.
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